Listen Score
LS 44
Global Rank
TOP 1%

GIỚI THIỆU VỀ PODCAST NÀY 🔗

Người dẫn:
Tần suất cập nhật:
biweekly
Độ dài âm thanh trung bình:
37 minutes
Phỏng vấn khách mời
Tiếng Anh
Hoa Kỳ
100 tập
kể từ Ngày 11 tháng 5 năm 2023
episodic

AUDIENCE OF THIS PODCAST 🔗

~88.06% of listeners are from United States.
🇺🇸
US
88.06%
🇬🇧
GB
2.86%
🇦🇺
AU
1.31%
🇨🇦
CA
1.31%
🇷🇴
RO
0.95%
🇩🇪
DE
0.95%
🇱🇨
LC
0.71%
🇮🇹
IT
0.47%
🇳🇱
NL
0.35%
🇮🇳
IN
0.35%
🇩🇰
DK
0.23%
🇹🇼
TW
0.23%
🇱🇰
LK
0.23%
🇸🇬
SG
0.23%
🇵🇹
PT
0.23%
🇸🇪
SE
0.23%
🇫🇷
FR
0.23%
🇮🇪
IE
0.11%
🇨🇿
CZ
0.11%
🇺🇦
UA
0.11%
🇧🇯
BJ
0.11%
🇮🇱
IL
0.11%
🇮🇩
ID
0.11%
🇧🇷
BR
0.11%
🇵🇱
PL
0.11%
Others
0.19%
* Data source: directly measured on Listen Notes. theo thời gian thực

TẬP MỚI NHẤT 🔗

Writer/Director/Actor/Editor Benny Safdie is known for defying expectations and using his sense of humor to make a splash. He even once showed up on The Tonight Show with Jimmy Fallon dressed all in silver, including painted silver hair and skin. So when we sat down with Safdie over Zoom to talk ab…

TÌM KIẾM CÁC TẬP TRƯỚC

Tìm kiếm các tập trước của Write On: A Screenwriting Podcast.

TẬP TRƯỚC

"We try to answer two questions before we say yes to a job or embark on a spec script: Why does the protagonist need this movie? And the other is: Why tell this story other than to make money? That was our attitude going into Jurassic World. That was our attitude going into Avatar," says screenwrit…
"I didn't think I'd be a good fit as a writer if they were going to do a PG version of the story. That's not where my strength lies, so the great thing is that the version Francis [Lawrence, the director] wanted to make was the version I wanted to write. A week later, we had a meeting with Lionsgat…
"I love adaptations. The beauty of adaptation, especially a classic, like Shakespeare and Chekhov or Ibsen, they're such a gift because they give you this beautiful framework, and it's almost like they're begging you to take it and make it your own," says writer/director Nia DaCosta about adapting …
"As you do draft after draft, it becomes shorter and rendered down. And [Keanu Reeves and I] would go through scenes going, 'Can people say less? Can the action be tighter? Can the action sequence be shorter?' The action is an extension of the hero's journey and if you don't give a sh*t about the c…
"People never lie so much as after a hunt, during a war or before an election." –Otto Von Bismarck "It's funny, because when I was writing After the Hunt, I definitely wasn't like, 'Oh, I want to write about this current socio-political moment.' I was really just invested in the characters and t…
"[My dad] really started to inhabit the characters, especially Ray, speaking as him during the writing process. That was when I realized this was going to be its own kind of special beast. Working with him taught me so much as a writer and storyteller; by the time we got to set, we had a shorthand …
"You have to love all your characters. Even if you're writing a bad guy. You, the writer, have to write them with love and empathy, and treat each character, give each character, a full life and a full arc in your story, even if their screen time is small. Essentially, if you were following that ch…
On today's episode, we speak with director Joe Wright whose new limited TV series Mussolini: Son of the Century, explores fascism through the early political career of Italy's Prime Minister Mussolini in the 1920s. The show is incredible storytelling from beginning to end, mixing opera and techno r…
"The thing that started it all off was me saying [the character Toxie] should be a guy in a suit. In other words, let's not do a computer-generated creature, let's have a person in a suit and have that handmade, hand-stitched kind of quality to it where you can sort of see the seams a little bit an…
Tuyên bố miễn trừ trách nhiệm: Podcast và tác phẩm nghệ thuật được nhúng trên trang này là của Final Draft, là tài sản của chủ sở hữu và không được liên kết hoặc xác nhận bởi Listen Notes, Inc.