GIỚI THIỆU VỀ PODCAST NÀY 🔗
HOW WOULD LUBITSCH DO IT? is a journey through the life and works of Ernst Lubitsch in chronological order, one film at a time.
In this film history podcast, host Devan Scott will facilitate a series of discussions about all 43 of Ernst Lubitsch’s surviving films, from Wo ist mein Schatz to Cluny Brown. Each episode will consist of a mix of historical background and a discussion with a rotating slate of guests - critics, academics, and filmmakers - about one of Lubitsch’s films.
In this film history podcast, host Devan Scott will facilitate a series of discussions about all 43 of Ernst Lubitsch’s surviving films, from Wo ist mein Schatz to Cluny Brown. Each episode will consist of a mix of historical background and a discussion with a rotating slate of guests - critics, academics, and filmmakers - about one of Lubitsch’s films.
Người dẫn:
Tần suất cập nhật:
weekly
Độ dài âm thanh trung bình:
56 minutes
Phỏng vấn khách mời
Tiếng Anh
Hoa Kỳ
71 tập
kể từ Ngày 29 tháng 11 năm 2022
episodic
TẬP MỚI NHẤT 🔗
[Due to our last-minute addition of two episodes, the podcast feed mistakenly had S5E09a queued here for a few hours this morning - it should now be fixed!]
How Would Lubitsch Do It comes to a close with a grand finale. Tim Brayton returns to discuss Cluny Brown and look back on both Ernst Lubitsc…
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TẬP TRƯỚC 🔗
Cahiers du Cinéma deputy editor Charlotte Garson joins us for a wide-ranging discussion that takes a look back at the past five seasons of the podcast and our subject’s career: among other things, we cover Lubitsch’s treatment of unconventional relationships, feminine sexuality and gender fluidity,…
Screenwriter Mateusz Pacewicz (Corpus Christi, The Hater) joins us to discuss the films of Lubitsch from a Polish perspective. We coverTo Be Or Not To Be’s depiction of Warsaw, the history of Lubitsch’s collaborators such as Pola Negri, the dynamics of European immigrants in twentieth-century Ameri…
Matt Severson returns to discuss Wes Anderson and The Grand Budapest Hotel. We discuss Lubitsch’s clear influence on the film, Anderson’s use of fabulist distancing techniques, common attitudes about Anderson’s supposed emotional remoteness, and our own emotional connections to the film.
Edited by…
Author Noah Isenberg joins us to discuss Billy Wilder and his 1961 comedic epic One, Two, Three. We cover Wilder’s early life as a reporter, a dancer-for-hire, and publicist; his lifelong ability to adapt to his circumstances; the question of his cynicism (or is it frustrated romanticism?); and his…
A reading of Samson Raphaelson’s Freundschaft, as published on May 11, 1981, in The New Yorker.
We have a Discord!
Listen on: Apple Podcasts | Spotify
NEXT WEEK:
Noah Isenberg joins us to discuss Billy Wilder and his cold war comedic epic One, Two, Three. For information as to where to find this…
David Cairns returns to discuss the end of Ernst Lubitsch’s career and life: a period in which, after a heart attack left him debilitated, he produced a series of films directed by the likes of Joseph L. Mankiewicz and Otto Preminger. We cover Dragonwyck, cinema’s foremost depiction of the Dutch pa…
Writer and film historian Eloise Ross joins us to discuss noted Lubitsch disciple Otto Preminger and his 1944 noir Laura. We cover Preminger’s past and parallels with Lubitsch, the tumultuous story of Laura’s production, the film’s highly unusual tone, its memorable characters and dialogue, and the…
Willa Ross returns for a lively discussion about Heaven Can Wait. We cover Lubitsch and Raphaelson’s opposing views on the film’s unusual protagonist, its counterintuitive structure and elisions, the film’s theological implications, argue about whether or not the production code negatively impacted…
Peter Labuza returns for the second of two episodes on To Be Or Not To Be. We discuss the film’s production history, the way in which the film both fulfills and frustrates conventions of comedic structure, Lubitsch’s specific habits in directing actors, the film’s unusual tonal arc, the film’s depi…
Tuyên bố miễn trừ trách nhiệm: Podcast và tác phẩm nghệ thuật được nhúng trên trang này là của Devan Scott, là tài sản của chủ sở hữu và không được liên kết hoặc xác nhận bởi Listen Notes, Inc.
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