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Intersections is a new series of contemporary art projects that explores—as the title suggests—the intriguing intersections between old and new traditions, modern and contemporary art practices, and museum spaces and artistic interventions. Whether engaging with the permanent collection or diverse spaces in the museum, the projects suggest new relationships with their own surprises.
Many of the projects also riff on the nontraditional nature of the museum's galleries, sometimes activating spaces that are not typical exhibition areas with art produced specifically for those locations.
Many of the projects also riff on the nontraditional nature of the museum's galleries, sometimes activating spaces that are not typical exhibition areas with art produced specifically for those locations.
ความถี่ในการอัพเดต:
every 87 days
ความยาวเสียงโดยเฉลี่ย:
3 minutes
ภาษาอังกฤษ
สหรัฐอเมริกา
18 ตอน
ตั้งแต่ 9 มิถุนายน 2009
episodic
ตอนล่าสุด 🔗
Intersections artist John F. Simon Jr. discusses his installation at the Phillips, Points, Lines, and Colors in Succession, on view October 17, 2013 through February 9, 2014.
Inspired by the progression of movement in the natural world, Simon's four-part installation in the Phillips house stairwel…
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ค้นหาตอนที่ผ่านมาของ Intersections Contemporary Art Projects
ตอนก่อนหน้านี้ 🔗
Using images of El Greco’s The Repentant St. Peter(c. 1600–1605 or later) from the collection, Baltimore-based artist Hildebrandt explores baroque themes of high drama, spectacle, and spatial movement. By converting a series of images into a video sequence, the artist connects painting, photography…
Silverthorne uses rubber to create floral reliefs and objects typically found in an artist’s studio. Her sculptures, along with the modernist still lifes from the collection with which they are interspersed, are vanitas—meditations on the brevity of life.
Intersections artist Xavier Veilhan discusses his exhibition (IN)balance, on view at the Phillips November 3, 2012 through February 10, 2013.
The first major museum presentation of Veilhan's work in the U.S. and the most extensive Intersections project to date features 18 recent pieces in several …
Composed of intricate ink and acrylic drawings on canvas that cover the café walls, One Day, After the Rain follows the movement of sunrise to nightfall, paying homage to Arthur Dove’s landscapes in The Phillips Collection.
Sandra Cinto creates dreamlike environments with her art. “I am interested …
Ecliptic—three interrelated large-scale drawings made of yarn looped over thousands of nails—investigates spatial perception and engages the architecture of the gallery. The installation, like much of Shotz’s work, is inspired by science, referencing the solar system and the perpetual rotation of p…
Sk(in) is a two-part sculptural installation—the first, massive yet delicate, suggests tree branches and occupies the courtyard; the second extends indoors, to rupture the "skin" of the gallery walls.
In The World Series, deSouza responds to Jacob Lawrence's The Migration Series (1940−41) with 30 photographs taken on his travels and audio recordings of his experiences and memories.
In Lunar Bower, panels of fabric are sewn together and stretched across the café, suggesting the ethereal night skies in Albert Pinkham Ryder's paintings. Light is given a corporeal presence as it filters through the hanging sculpture.
Sk(in) is a two-part sculptural installation—the first, massive yet delicate, suggests tree branches and occupies the courtyard; the second extends indoors, to rupture the "skin" of the gallery walls.
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