āđāļāļĩāđāļĒāļ§āļāļąāļāļāļāļāđāļāļŠāļāđāļāļĩāđ 🔗
ðïļ Podcasts recorded at the annual Big Screen Symposium & TALKS series recorded by Script to Screen at various regional events in Aotearoa, NZ. ðïļ
These podcasts are shared to help develop the craft and culture of storytelling for the screen in Aotearoa and beyond.
These podcasts are shared to help develop the craft and culture of storytelling for the screen in Aotearoa and beyond.
āļāļđāđāļāļąāļ:
āļāļ§āļēāļĄāļĒāļēāļ§āđāļŠāļĩāļĒāļāđāļāļĒāđāļāļĨāļĩāđāļĒ:
53 minutes
āļŠāļąāļĄāļ āļēāļĐāļāđāđāļāļ
āļĄāļĩāļŠāļāļāļāđāļāļāļĢāđ
āļ āļēāļĐāļēāļāļąāļāļāļĪāļĐ
āļŠāļŦāļĢāļąāļāļāđāļĄāļĢāļīāļāļē
101 āļāļāļ
āļāļąāđāļāđāļāđ 27 āļĄāļīāļāļļāļāļēāļĒāļ 2017
episodic
āđāļāļāļāļāđāļāļŠāļāđāļāļĩāđ 🔗
āļāļāļāļĨāđāļēāļŠāļļāļ 🔗
Three Canadian guests with diverse backgrounds and experiences will discuss international co-productions and industry trends in Canada. The shared concerns, values, and history of New Zealand and Canada make them an ideal country to partner with and partnering is a great way to fully finance your pâĶ
āļāđāļāļŦāļēāļāļāļāļāļĩāđāļāđāļēāļāļĄāļē
āļāđāļāļŦāļēāļāļāļāļāļĩāđāļāđāļēāļāļĄāļēāļāļāļ Big Screen Symposium & Script to Screen
āļāļāļāļāđāļāļāļŦāļāđāļēāļāļĩāđ 🔗
Story creators Robyn Malcolm and Dianne Taylor and producer/director Peter Salmon come together to talk about their collaborative process, from the very earliest story conversations to the writing, all stages of production, and publicity.
Peter, Dianne and Robyn will discuss some of their learningâĶ
Following the recent New Zealand release of The Moon is Upside Down, Loren Taylor (writer/director/actor) joins moderator and writer Duncan Sarkies (Scarfies, and Two Little Boys) to discuss her writing process, the challenges of creating stories and characters that come alive on screen, and how shâĶ
Kimball Thurston leads the strategy for future technology for VFX production at Weta FX. This session uses real-life examples as he offers insight into the AI intersections with creative artists and how these tools add to the creative process, not take away from it. This session is presented by WetâĶ
The eleven regional film offices around New Zealand might be seen as competitors, but theyâve found a way over the last decade to cooperate and collaborate with each other in the spirit of âNZ Incâ, recognising the healthy âcoopetitionâ can be the best way to combine resources and achieve shared goâĶ
Australian Casting director Anousha Zarkesh, an influential creative force in the Australian screen industry, is in conversation with producer Fraser Brown discussing how to establish a great relationship with your Casting Director. They cover searching for new talent and attaching high-profile actâĶ
ALEXANDER SWORDS presents Diverse Story Telling Patterns. He introduces the building blocks and patterns discovered in his research for Narrative Design. This gives an insight âunder the hoodâ of how the different conventions function to engage audiences around the world. Youâll discover what film âĶ
Historically speaking, there has been a lack of representation and access for those who are deaf, disabled or neurodivergent within the screen industry. Chelsea Bridges, Jared Flitcroft and Felicity Hamill have a mission to improve industry standards by using their skills as access coordinators. ThâĶ
With many people unable to continue working full time due to changing life circumstances and wellbeing concerns or outright leaving the screen industry, job-sharing is becoming a widely recommended practice. Jonathon Dutton from Screen Well Australia presents the findings from the Screen Australia âĶ
NZ On Air Head of Partnerships Raewyn Rasch introduces a case study of Sky Originals show Miles From Nowhere, where producers Ahmed Osman and Sam Wilton talk about the strategies they implemented to ensure inclusive representation of the Muslim community throughout the entire production process froâĶ
āļāđāļāļŠāļāļ§āļāļŠāļīāļāļāļīāđ: āļāļāļāđāļāļŠāļāđāđāļĨāļ°āļāļēāļĢāđāļāđāļ§āļīāļĢāđāļāļāļĩāđāļāļąāļāļāļĒāļđāđāđāļāļŦāļāđāļēāļāļĩāđāļĄāļēāļāļēāļ Script to Screen āļāļķāđāļāđāļāđāļāļāļĢāļąāļāļĒāđāļŠāļīāļāļāļāļāđāļāđāļēāļāļāļāđāļĨāļ°āđāļĄāđāļĄāļĩāļŠāđāļ§āļāđāļāļĩāđāļĒāļ§āļāđāļāļāļŦāļĢāļ·āļāļĢāļąāļāļĢāļāļāđāļāļĒ Listen Notes, Inc.
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āļāļļāļāļŠāļēāļĄāļēāļĢāļāđāļāđāđāļ§āđāļāđāļāļāđāļāļāļāđāļĢāļēāđāļāļ·āđāļāļāđāļāļŦāļēāļāļāļāđāļāļŠāļāđāļāļāļ3,824,902āđāļĨāļ°āļāļāļāļāļāļ195,788,955āļāļēāļĄāļāļļāļāļāļĨ āļŠāļāļēāļāļāļĩāđ āļŦāļĢāļ·āļāļŦāļąāļ§āļāđāļ
I have no special talent. I am only passionately curious, and
I listen to podcasts.
‐ Albert "Llamacorn" Einstein
āļāđāļāļŦāļēāļāļāļāļāļĩāđāļāđāļēāļāļĄāļē
āļāđāļāļŦāļēāļāļāļāļāļĩāđāļāđāļēāļāļĄāļēāļāļāļ Big Screen Symposium & Script to Screen
āļāđāļēāļāļŠāļīāļāļāļīāđāđāļāļāļāļāđāļāļŠāļāđāļāļĩāđ
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