เกี่ยวกับพอดแคสต์นี้ 🔗
Two best friends who happen to be an Autistic and an English major sit down and discuss media, film and whatever they need to to justify a degree. So come along and waste some time with us or at the very least an hour a week.
Updates weekly unless life impedes us. All episodes can be found at https://www.patreon.com/berricouch
New episodes should be up once a week unless life proceeds to stop us.
Updates weekly unless life impedes us. All episodes can be found at https://www.patreon.com/berricouch
New episodes should be up once a week unless life proceeds to stop us.
ผู้จัด:
ความถี่ในการอัพเดต:
weekly
ความยาวเสียงโดยเฉลี่ย:
65 minutes
ภาษาอังกฤษ
สหรัฐอเมริกา
265 ตอน
ตั้งแต่ 13 ธันวาคม 2020
episodic
เนื้อหาที่โจ่งแจ้ง
ตอนล่าสุด 🔗
Now for a nice change of pace we have the most memorable filmed version of A Midsummer Nights Dream the one with Stanley Tucci, and the bikes. How does the Tucci stand tall in this performance? Is it memorable and if so why?
ตอนก่อนหน้านี้ 🔗
Finishing up the month with a recent indie darling that combines queer coming of age with an It Follows style monster and the horror of middle of nowhere Australian towns. Truly a short but big player on the aspects of horrifying media that have come out.
The second major release by the quickly iconic Philippou brothers that deals with demons, isolation, the ease that people can abuser the system and the true horror of an unfenced pool. How does the Australian suburban horror stand up against it's outback counterparts? What makes this feel quintesse…
More killings, an actual creek and a lot of implications. This indie Australian horror gets to be viewed and discussed on why it fits as Australian horror while also being an overall more enjoyable watch than the iconic Wolf Creek. Let's all go down to the Killing Ground
Gotta start with a ripper of a film that apparently was a horrifying, sensationalist, glorification of violence. But was it? Is perhaps Wolf Creek a victim of a trend that it wasn't really ever part of? Can it hold up all these years afterwards? What marks this film as the almost quintessential Aus…
From the perspective of people who grew up post Ausploitation and weren't yet old enough to watch Wolf Creek when it came out we are breaking down our thoughts and theories on why the Australian made horror movies garner such a unique reputation for supposed brutalism.
Now we shall discuss the differences between a creepy kid vs a spooky kid. It's a distinction many won't be bothered with but after watching multiple films in this topic and horror in general they are different and it should be defined. Nebulous though it may be.
Well now we have the quintessential creepy kids story, or at least the remake of it. How do these creepy children stand against others? Can such iconic creep be recreated or are the children are victim to studio meddling in what might have been a fresh take on something everyone is familiar with?
Scariest movie ever gets to be looked at with fresh modern eyes. Does it hold up to that title or is it just a victim of it as time passes. More importantly to the actual theme of the month how does Regan as a scary kid work in the context of her movie? Does she even count given the nature of the s…
We're going back to Mr Stephen King to begin talking about creepy kids and, at least in this case, they brought a snack. We got corn puns. We got murder. We got religious schism based on doctrine interpretation. We got adults playing kids roles. And for once we're not in Maine.
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