ОБ ЭТОМ ПОДКАСТЕ 🔗
Continuous Dream is an audio theater podcast of dramas and comedies written by Chicago playwright Amy Crider, with episodes ranging from ten to ninety minutes.
Ведущие:
Частота обновления:
every 53 days
Средняя продолжительность аудио:
30 minutes
английский
США
65 серий
с 21 сентября 2019 г.
episodic
ПОСЛЕДНИЙ ЭПИЗОД 🔗
Jeff Broitman stars in a full-length monologue. Written in November of 2024, it was probably the first play produced in response to the election. This is audio from the live performance recorded in December at YOLO Studio in Chicago. The play was recommended by the Chicago Reader.
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ПРЕДЫДУЩИЕ ЭПИЗОДЫ 🔗
Jeff Broitman stars in a full-length monologue. Written in November of 2024, it was probably the first play produced in response to the election. This is audio from the live performance recorded in December of 2024 at Dreamers YOLO Studio in Chicago. The play was recommended by the Reader.
Two comedies for Summer by Amy Crider
Starring Baird Brutscher and Erin Caswell
For more episodes please visit https://www.continuousdream.com
You can support the program at: https://www.ko-fi.com/continuousdreamtheatre36160
For more about Amy Crider and her writing see https://www.amycrider.com
P…
It’s November 8th, 2016 at an election-night party at the home of Vladimir Putin...
written by Amy Crider
Starring
Jeff Broitman
Baird Brutscher
Brad Potts
and
Pete Blatchford
For more episodes, visit www.continuousdream.com
Award-winning playwright Amy Crider continues her lecture series with: The Inciting Incident.
A monologue inspired by Dracula, performed by Continuous Dream ensemble member Baird Brutscher.
Sympathetic characters: do they have to be sympathetic? And what makes them so?
Short plays: today you'll hear a fun writing exercise I learned from the famous Second City, with guest Pete Blatchford.
Great expectations: what expectations are you raising in the mind of your audience? Do you fulfill them, or subvert them?
Contains spoilers.
In Part Three we look at what the characters need and know versus the playwright and the audience, by discussing Harold Pinter's Betrayal.
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