ABOUT THIS PODCAST 🔗
FKA Muub Tube - Ralph and Owen bring the film form into focus.
Update frequency:
every 25 days
Average audio length:
55 minutes
English
United Kingdom
95 episodes
since May 24, 2020
episodic
explicit content
AUDIENCE OF THIS PODCAST 🔗
~18.31% of listeners are from Canada.
🇨🇦
CA
18.31%
🇦🇺
AU
18.31%
🇺🇸
US
14.85%
🇬🇧
GB
11.38%
🇦🇲
AM
8.41%
🇩🇰
DK
8.41%
🇬🇭
GH
3.96%
🇮🇳
IN
2.47%
🇮🇪
IE
1.98%
🇩🇪
DE
1.48%
🇭🇺
HU
1.48%
🇫🇷
FR
1.48%
❓
XX
0.99%
🇹🇷
TR
0.99%
🇧🇷
BR
0.49%
🇮🇹
IT
0.49%
🇧🇪
BE
0.49%
🇪🇸
ES
0.49%
🇮🇸
IS
0.49%
🇬🇪
GE
0.49%
🇺🇦
UA
0.49%
🇹🇭
TH
0.49%
🇰🇷
KR
0.49%
🇷🇴
RO
0.49%
🇳🇱
NL
0.49%
Others
0.11%
* Data source: directly measured on Listen Notes. real-time
LATEST EPISODE 🔗
In this episode, Ralph and Owen journey into the spectral wastes of British film, asking: what went wrong, and what is to be done? Through kitchen sink realism, folk-horror spooks, socially-engaged documentarians, materially-inclined avant-gardism, and more than a handful of oddballs, the situation…
PREVIOUS EPISODES 🔗
This week, we’re slipping into the proverbial cinematic pool with a brief pitstop in Bradley Cooper’s Bernstein-biopic Maestro and a longer look at a luscious new restoration of Lou Ye’s Suzhou River (2000). We also figure out what it means to be ‘Shanghaied’.
In a year when so much felt so over, film seems so beautifully back. Casting their eyes over twelve months, four festivals, and countless hours of chthonic kino encounters, the boys sat down to boil the broth of 2023; setting out to identify their top 10 films of the year.
Listen on Spotify: https…
Jean Eustache is hard to pin down. A French auteur who combined the brevity of Bresson with the romantic rambling of Rohmer.
Eustache often preferred telling to showing. Yet somehow these moments of gossip and reminiscence are powerfully cinematic. A spell is cast with judicious editing, subtle …
LFF may be over, but the takes are not. For their final derive through the halls of contemporary arthouse film, Ralph, Owen, and George take stock of flicks both fair and foul: Jonathan Glazer’s tautly rigorous Zone of Interest, Molly Manning Walker’s spring-breaky debut How to Have Sex, Moin Hussa…
Battered and broken, their eyes barely staying open, Ralph and Owen are joined by Berlin correspondent George MacBeth for a second heaving helping of LFF. The stakes are high, covering the likes of Radu Jude’s towering DO NOT EXPECT TOO MUCH OF THE END OF THE WORLD, Steve McQueen’s uneven symphony …
Un-reel city, under the brown fog of winter (well, autumn) dawn – a crowd flowed over Picadilly Circus, so many, I had not thought death had undone so many. Apologies to T.S. Eliot, but London Film Festival 2023 has landed – banging the slush from its shoes, clapping its hands together, and invitin…
Plumbing the murky and anodyne depths of German modernity, Christian Petzold – leading light of the Berlin School; protege of artist-filmmaker Harun Farocki – has a bafflingly uneven reputation.
The highs are thrilling and poised; the lows, schlocky and off-note. Why so inconsistent?
To separate …
Owen and Ralph discuss Edward Yang - the golden boy of the Taiwanese New Wave. Yang rose to fame with elliptical films like Taipei Story and The Terrorisers - which depicted intimate relationships, strained by modernity and Taiwain’s unique east/west ambivalence. His dense period piece A Brighter S…
Last weekend we dreamed in celluloid, in three-strip technicolor and, crucially, on NITRATE. The BFI's new, hopefully regular, festival dedicated to cinema's technical heritage was a triumph - give or take an opening night. The boys sampled some exhilarating expanded cinema on 16mm by Malcolm Le Gr…
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