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This is a free preview of a paid episode. To hear more, visit letitrollpodcast.substack.com In 1917 a white New Orleans band that was not the original anything and could not spell its own genre put out a record that sounded, in Peter Doggett’s words, like “a gang of crazed instrumentalists fighting…
This is a free preview of a paid episode. To hear more, visit letitrollpodcast.substack.com The same man wrote “It’s Tight Like That” and “Take My Hand, Precious Lord.” As Georgia Tom, Thomas A. Dorsey cut it with Tampa Red in 1928 - one of the dirtiest hits of the decade, and the record that set o…
This is a free preview of a paid episode. To hear more, visit letitrollpodcast.substack.com Gary Giddins agreed to write a 300-page Bing Crosby book in three years so he could get back to Duke Ellington. That was more than twenty-five years ago. He started out half-believing the hatchet jobs and fo…
This is a free preview of a paid episode. To hear more, visit letitrollpodcast.substack.com Before OKeh would bet on records made by Black artists for Black buyers, somebody had to go and find out whether that market existed. The company sent Ralph Peer. He went into barbershops and pool halls and …
This is a free preview of a paid episode. To hear more, visit letitrollpodcast.substack.com Gareth Murphy set out to write an obituary for the record man. A French label boss had told him over lunch that the record producer was a dying breed, and in the 2010s, with the industry shrinking every year…
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