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Gary Giddins agreed to write a 300-page Bing Crosby book in three years so he could get back to Duke Ellington. That was more than twenty-five years ago. He started out half-believing the hatchet jobs and found instead a man the people he interviewed kept calling the nicest, kindest and most generous they ever worked with, a Republican who was ahead of …
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This is a free preview of a paid episode. To hear more, visit letitrollpodcast.substack.com
The same man wrote “It’s Tight Like That” and “Take My Hand, Precious Lord.” As Georgia Tom, Thomas A. Dorsey cut it with Tampa Red in 1928 - one of the dirtiest hits of the decade, and the record that set o…
This is a free preview of a paid episode. To hear more, visit letitrollpodcast.substack.com
In 1917 a white New Orleans band that was not the original anything and could not spell its own genre put out a record that sounded, in Peter Doggett’s words, like “a gang of crazed instrumentalists fighting…
This is a free preview of a paid episode. To hear more, visit letitrollpodcast.substack.com
Ralph Peer went to Victor with an offer no record man has made before or since: pay me a dollar a year, and let me keep the publishing. Victor took it. It looks like modesty and it was the opposite - publish…
This is a free preview of a paid episode. To hear more, visit letitrollpodcast.substack.com
Before OKeh would bet on records made by Black artists for Black buyers, somebody had to go and find out whether that market existed. The company sent Ralph Peer. He went into barbershops and pool halls and …
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