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Update frequency:
biweekly
Average audio length:
39 minutes
Guest interviews
English
United States
73 episodes
since Dec. 29, 2020
episodic

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One of the wisest pieces of advice I’ve gotten is that success is about knocking on as many doors as possible. As in: If you aren’t wanted in one place, try another. And while a place might be a particular company or theatre or agency - it can also be a city or even a country. But how do you know i…

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Ah, networking…not to be confused with the network effect, though perhaps there are some similarities. Let’s examine the ever-befuddling Human Element of the arts, and how to keep your soul intact while navigating it. Music composed, recorded and produced by Silvia Berrone Cover art by Kateřina Kr…
Writers throw away drafts, painters paint over botched canvases. But where can classically-trained performers try and fail and try again? Music composed, recorded and produced by Silvia Berrone Cover art by Kateřina Krejcarová To leave a rating for this podcast, follow the instructions for whiche…
I got some feedback on Classically (Un)Trained over the time I was on break and I need to address it. The issue: This podcast is too pessimistic! Before proceeding with the rest of the season, I’d like to make the case for why I'm actually wildly optimistic. I'm also going to talk about how Classic…
The first thing I learned about marketing for performers is: “You are a product.” But is that really the right message for young performers? And might there be a better alternative? The season will resume on February 3rd. You can find the full schedule here: ⁠https://classicallyuntrainedpodcast.…
If you’ve never heard of the network effect, prepare to get disillusioned. But don’t despair – knowing how the internet works can help you put focus in the right place as an artist. And there are also aspects of this new world we live in that are full of possibility. Music composed, recorded an…
Let’s get a basic understanding of the five basic ways the arts get funded, how funding influences the nature of the art being made, and what that means for you as a performer. This episode became rather long - here are some timestamps in case you want to listen to just parts: 00:17:06 - what …
What can you do with a performing arts degree, you ask? Well, according to some educators within the performing arts, you can be a great realtor if your performing career doesn’t pan out. Let’s articulate why that sort of thinking is counterproductive but also how exactly academic training DOESN’T …
What can you do with a performing arts degree, you ask? Well, according to some educators within the performing arts, you can be a great realtor if your performing career doesn’t pan out. Let’s articulate why that sort of thinking is counterproductive but also how exactly academic training DOESN’T …
Let’s start this first season with the assumption that what you do as a performer is valuable beyond bringing you joy or status or distraction. It’s a radical thought, I know. But without it, there’s no point in your listening to this podcast. So let me make a case for why you matter as a performin…
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