ABOUT THIS PODCAST

Aria Code is a podcast that pulls back the curtain on some of the most famous arias in opera history, with insight from the biggest voices of our time, including Plácido Domingo, Diana Damrau, Sondra Radvanovsky, and many others. Hosted by Grammy Award-winner and MacArthur “Genius” Fellow Rhiannon Giddens, Aria Code is produced in partnership with The Metropolitan Opera.
Each episode dives into one aria — a feature for a single singer — and explores how and why these brief musical moments have imprinted themselves in our collective consciousness and what it takes to stand on the Met stage and sing them.
A wealth of guests—from artists like Rufus Wainwright and Ruben Santiago-Hudson to non-musicians like biological anthropologist Dr. Helen Fisher and Dr. Brooke Magnanti, author of The Intimate Adventures of a London Call Girl—join Rhiannon and the Met Opera’s singers to understand why these arias touch us at such a human level, well over a century after they were written. Each episode ends with the aria, uninterrupted and in full, recorded from the Met Opera stage.
Aria Code is produced in partnership with WQXR, The Metropolitan Opera and WNYC Studios.
English
United States
12 episodes
since Nov. 19, 2018

LATEST EPISODE

When the great American composer Carlisle Floyd wrote his first full-length opera, Susannah, back in the 1950s, he had no way of knowing how the Biblical themes of shame, blame and lust would resonate today. In this special episode of Aria Code, host Rhiannon Giddens joins soprano Renée Fleming, writer and stage director Thomas Holliday, and feminist writer Leora Tanenbaum to consider the haunting folk aria “The Trees on the Mountains,” and the devastating loss of innocence at the heart of the story. You’ll hear Fleming’s performance from the Metropolitan Opera’s 1999 production of Susannah, as well as Rhiannon Giddens’ version from her new album, there is no Other.
Disclaimer: The podcast and artwork embedded on this page are from WQXR & The Metropolitan Opera , which is the property of its owner and not affiliated with or endorsed by Listen Notes, Inc.

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