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In "Improvisations on the Ledge," award-winning composer-pianist Peter Saltzman searches for universal truths by stumbling upon them—both with words and music. The basic premise is simple: he improvises on the piano, then talks about what the music tells him. Then makes music about what the talking tells him. Then...well, it goes on like this. Droll, funny, dramatic, musical, short.
petersaltzman.substack.com
petersaltzman.substack.com
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Gemiddelde audiolengte:
21 minutes
Engels
Verenigde Staten
48 afleveringen
sinds 24 april 2019
episodic
expliciete inhoud
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But you can still listen to it in the car if you either lack the time or inclination to watch.
Improvisations on the Ledge (IOTL) – Back on the Ledge (Pilot Episode)
Improvisations on the Ledge is back—this time live. IOTL began as a 47-episode podcast of piano + spoken improvisations.
Now it ret…
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Leave a comment and share your thoughts: https://open.firstory.me/story/ckw6kzm991rm90878rsjk4zli?m=comment The moment a theme is stated, it wants to do something. What? Like all lifeforms, it wants to replicate, mutate, transform…become something. That something is musical structure. How we get …
Leave a comment and share your thoughts: https://open.firstory.me/story/ckvk002b34j0c0938go4chdbo?m=comment Musical themes seem to emerge from the sonic abyss almost by their own volition. But where do they come from? Are they elusive attempts to describe the moment? State of musical mind? Emotio…
"The Many Layers of Musical Memory—and Forgetting" is an episode about how listening to music, and performing it, are really acts of thematic memory—and forgetting. And sometimes the forgetting is part of the creative process. Or maybe it's just forgetting. In any case, I take a deep dive into the…
After an extended layoff, I've decided to get back to Improvisations On the Ledge by sticking to the theme—literally. The entire season—including this episode—is devoted to musical theme: how we create, perceive it, and make music out of it. In the pilot episode for season three, I randomly stumbl…
Using jazz educator David Bloom's metaphor, musicians need to look in the rearview mirror and remember the theme if they wish to move forward. But when you look back, you are not just remembering what you played at the beginning of an improvisation—you're remembering all of that music that got you …
My intent was to dive into Part 2 of my “End of Melody Episode,“ but by planned chance, I rolled the dice and came up with something completely different. Unplanned, but fated to be this way? Possibly. Powered by Firstory Hosting
Melody. As a creative musician, you're either born with it or not. Or maybe everybody is born with it but some choose to suppress it. Why would anybody do that? Powered by Firstory Hosting
Math, science, and logic can explain a lot but not everything about how music works. The strange thing, though, is that great music almost always has a perfect logic to it. How is that possible? Powered by Firstory Hosting
In this episode, I do battle with Philip Glass and, by extension, the entire genre of minimalism. To my surprise, though, I found that even while I reject the aesthetic as a whole, there’s plenty I can take from it creatively—but only by adapting some of its techniques in ways never intended by it…
Disclaimer: De podcast en de illustraties die op deze pagina zijn ingesloten, zijn afkomstig van PETER SALTZMAN, eigendom van de eigenaar en niet gelieerd aan of goedgekeurd door Listen Notes, Inc.
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