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Art and design are two bastions of human culture full of self-importance and painful austerity. Join artists and designer Matthew Marshall and Nick Shekerjian as they clown their way through art theory, history, news, and personal tidings and ideas to present an honestly cheeky view into an industry disguised in lofty b.s.
업데이트 빈도:
every 25 days
평균 오디오 길이:
66 minutes
영어
미국
에피소드 6 개
2021년 11월 27일부터
episodic
최신 에피소드 🔗
In this episode the boys talk about two men who are very questionable but highly enigmatic: GJohnce and Damien Hirst. Nick gives David Lynch a brilliant film idea, "Beaverton", his first film about a "man in trouble". Matt loves to say "Damien Hirst is da vorst."
이전 에피소드 🔗
Nick and Matt tackle the emotional and spatial effects of pop music. Matt discusses Tal R and becomes hungry for people to see thought as an aspect of beauty. Matt appreciates the plentiful Ranch dressing pour, as one should.
Coming off of the hot shoes of an exciting photoshoot (hehe), distended organs are clarified as an aesthetic choice; Matt and Nick finally agree on something. Gallerists love to make art deals through whispers and Matt couldn't handle it at Art Basel (Basil). Nick tries to create a loose thesis aro…
With long-term toe disfigurement on the tippy top of Matt and Nick's heads, this episode explores a couple of "difficult" ideas swimming around in Nick's personal Halloween-ether and more of Matt's thoughts on current conservative interests in painting. Steak juice is best served on Picassos.
Nick and Matt both get in tune with the Gay and discuss "Twinks for Trump" and Andre Mark (@andremarkpts) as subjects for projects. Klaus Biesenbach is at the center of some recent MOCA political drama and Matt finds it very curious, possibly inspiring as a story about a slippery shark dealing and …
Matt and Nick speak Italian, and discuss the arduous task of listening to music in the contemporary age via YouTube. Both boys get hot and bothered about Hunter Biden's foray into art and the possibility of conservative news media being the new harbinger of art criticism. Nick ponders the sad state…
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