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The computer music movement of the 1960’s, 70s and 80’s created the technology that established the sound of music as we know it today. We unearth the stories behind that movement, as well as some trippy music that demonstrates how music grew into the electronic sounds we take for granted now. In Season 2, we take a deep dive into the music of Stanley Jordan, a jazz master who combines musical virtuosity with a lifelong love of the technology. In Season 1, we told the story of a group of music-loving computer engineers who happened upon some musicians who were enamored with a new IBM computer at the Engineering Quadrangle at Princeton University in 1963.
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평균 오디오 길이:
36 minutes
게스트 인터뷰
영어
미국
에피소드 12 개
2022년 4월 19일부터
episodic
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Followers of this podcast will remember two central characters from Season 1: Milton Babbitt, the Princeton Music professor and avant-garde composer who was an early devotee of electronic music; and Babbitt’s protégé, Godfrey Winham, a composer whose work at Princeton made it po…
이전 에피소드 🔗
In this episode, Stanley Jordan does something remarkable: He recreates a lost computer music composition, and premieres it here for the first time.
Part Pac-Man, part symphony orchestra, this three-minute piece is a testament to Jordan's early musical journey through technical terrain, setting th…
Stanley Jordan was about to play The Tonight Show with Johnny Carson, and with seconds go before cameras rolled, the sound wasn’t coming out of his guitar. His guitar tech was sweating bullets. Was he able to hit his mark? And what lesson did he learn from the experience?
In this secon…
Stanley Jordan ’81 grew up in Silicon Valley, making circuits as a kid, watching his father become one of the world's first professional computer programmers. But it wasn’t until Jordan arrived at Princeton that the young musician learned how to fuse his love of music with his fascinati…
Stanley Jordan. Innovator of the two-handed touch technique to coax a sweet, percussive sound out of an electric guitar. After graduating from Princeton University in 1981, he went on to become an acclaimed jazz musician known for his guitar pyrotechnics.
He’s played on the Tonight Show with…
In our epilogue episode, we look at how an engineering professor, Naomi Leonard, is collaborating with dancers to show how birds fly in a flock without bumping into each other; how robots can reflect our humanity back at us; and how other peoples’ rhythmic movements affect our nervous systems…
Has digital music reached the point of diminishing returns? Has it all been done, and heard, before? At the start of a new millennium, a crew of Princeton engineers and musicians answered this question with a resounding no, building the now-famous Princeton Laptop Orchestra. As a Princeton music gr…
Paul Lansky is the most celebrated and musically influential of the computer musicians at Princeton, and it isn’t only because he was famously sampled by Radiohead on their classic album “Kid A.”
His work expanded the boundaries of computer music and speech synthesis for art into…
Imagine using a computer to synthesize music, but not being able to hear it as you built it. That's how it was in the 1960s - musicians only heard what they were composing in their mind's ear, until the project, usually riddled with mistakes, was finished and processed at a far-off lab.
This prese…
When the Computer Center opened along with the Engineering Quadrangle at Princeton in 1962, who knew that the Music Department would be one of its biggest users? The composers were there at all hours, punching their cards and running huge jobs overnight on the room-sized, silent IBM 7090. Working w…
면책 조항: 이 페이지에 포함된 팟캐스트와 작품은 Princeton Engineering에서 가져온 것입니다. 이 팟캐스트는 소유자의 재산이며 Listen Notes, Inc.와 제휴하거나 보증하지 않습니다.
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