INFORMAZIONI SU QUESTO PODCAST 🔗
Five hundred years of incredible music. No expertise is necessary. All you need are ears. If you've ever been even slightly curious about classical music then this is the podcast for you.
Conduttori:
Frequenza di aggiornamento:
weekly
Durata media dell'audio:
68 minutes
Inglese
Stati Uniti
110 episodi
da 09 Febbraio 2025
episodic
ULTIMO EPISODIO 🔗
A podcast about classical music is maybe not really a place for politics but I'm recording this episode a day after the midterm elections in the US. And I think that a lot of people all over the globe are pleased and perhaps relieved that the complicated machinery of democracy in 2026 was robust en…
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EPISODI PRECEDENTI 🔗
The pianist Sviatoslav Richter's life can somewhat conveniently be broken up into two parts… before he was allowed to tour outside the Soviet bloc in 1960 when he was in his mid 40s… and after. This episode is mostly about that second part; and touches on Richter's expanded interest in Chamber Musi…
We bring meanings to music that the composers often didn't intend. And this episode is going to be an example of that. There is something in some music that for me triggers a sort of longing. The writer and composer Jan Swafford describes some of Mozart's music as having a 'deep yearning' and I thi…
The Soviet pianist Sviatoslav Richter, as I hope this and the following episode will illustrate, is one of the greatest musicians of the recording era… unsurpassed technical expertise matched with a profound depth of musicality. But those clichés (whilst true) could be applied to a not insignifican…
Why Mozart Opera Overtures? Well, whilst they were not really intended to be stand-alone pieces they have in many instances become favourites of concert programmers and broadcasters, not to mention the public. And with most of them being about five minutes long you can fit eleven of them into a pod…
Who knew that Camille Saint-Saens of 'Carnival of the Animals' fame wrote the world's first film score? Or that the Pulitzer Prize for music has been given to only one work for the screen. Or that five composers, including the American music theatre legend Richard Rodgers, were approached for 'Lawr…
[Please feel free to leap straight into this second part of the 'Diving for Pearls' episode but there's background information in the first half you might enjoy if by chance you have missed it.]
How did the term 'baroque', the French version of a very old Portuguese word for a misshapen pearl… whi…
How did 'baroque', the French version of a very old Portuguese term for a misshapen pearl… which became an insult applied to complicated music… and was then rehabilitated as a description of an ornate style of art and architecture… become the term now almost universally used to describe music writt…
It could be argued that Night and Darkness are sort of the same. The Night is Dark. That's kind of the point. But there are brightly moonlit nights and there are very dark nights; in more ways than one, and then there is darkness that is as black as night. So it's "Night and Darkness"… including sy…
I have been asking myself why it has taken close to a hundred episodes before I got around to one devoted to Chopin. When I was chatting with Claude about doing the episode he described my neglect of the composer as, and I quote, 'an alarming gap… genuinely startling given Chopin's centrality to th…
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