IHWAL PODCAST INI 🔗

Frekuensi pembaruan:
every 53 days
Panjang audio rata-rata:
13 minutes
Inggris
Amerika Serikat
15 episode
sejak 8 Mei 2006
episodic

EPISODE TERBARU 🔗

Conservator Lindsay Morgan looks at the science and specialist techniques behind repairing works of art damaged by acts of iconoclasm for the exhibition Art under Attack: Histories of British Iconoclasm. Audio recording

CARI EPISODE TERDAHULU

Cari episode sebelumnya dari Conservators.

EPISODE SEBELUMNYA

Tate conservator Rachel Barker talks about her work for the Choucair exhibition in this TateShots video interview
Through talks, discussion and practical workshops, this symposium explores the future and value of art and culture in the context of conservation in museums and galleries
Through talks, discussion and practical workshops, this symposium explores the future and value of art and culture in the context of conservation in museums and galleries
Tate - Modern Paint Tour: Tate Senior Conservation Scientist, Tom Learner, talks about Jackson Pollock's work Summertime Number 9A.
Tate - Modern Paint Tour: Tate Senior Conservation Scientist, Tom Learner, talks about Gary Hume's work Incubus.
Tate - Modern Paint Tour: Fiona Rae talks to Tate Senior Conservation Scientist, Tom Learner, about how she worked with the paint to produce her work Night Vision.
Tate - Modern Paint Tour: Rosie Freemantle, Paper Conservator at Tate, discusses Henri Matisse's work The Snail.
Tate - Modern Paint Tour: Annette King, Modern and Contemporary Paintings Conservator at Tate, discusses Pablo Picasso's work Goat’s Skull, Bottle and Candle.
Tate - Modern Paint Tour: Mary Bustin ACR is a Senior Paintings Conservator at Tate and specialises in the conservation of modern and contemporary paintings. Recent research includes the investigation and treatment of Mark Rothko’s Seagram Murals.
Sanggahan: Podcast dan karya seni yang disematkan pada halaman ini berasal dari Tate Media, yang merupakan milik pemiliknya dan tidak berafiliasi atau didukung oleh Listen Notes, Inc.