рдЗрд╕ рдкреЙрдбрдХрд╛рд╕реНрдЯ рдХреА рдЬрд╛рдирдХрд╛рд░реА 🔗
ЁЯОЮя╕П Podcasts recorded at the annual Big Screen Symposium & TALKS series recorded by Script to Screen at various regional events in Aotearoa, NZ. ЁЯОЮя╕П
These podcasts are shared to help develop the craft and culture of storytelling for the screen in Aotearoa and beyond.
These podcasts are shared to help develop the craft and culture of storytelling for the screen in Aotearoa and beyond.
рд╣реЛрд╕реНрдЯ:
рдФрд╕рдд рдСрдбрд┐рдпреЛ рд▓рдВрдмрд╛рдИ:
53 minutes
рдЕрддрд┐рдерд┐ рд╕рд╛рдХреНрд╖рд╛рддреНрдХрд╛рд░
рдкреНрд░рд╛рдпреЛрдЬрдХ рд╣реИрдВ
рдЕрдВрдЧреНрд░реЗрдЬрд╝реА
рд╕рдВрдпреБрдХреНрдд рд░рд╛рдЬреНрдп рдЕрдорд░реАрдХрд╛
101 рдПрдкрд┐рд╕реЛрдб
27 рдЬреВрди 2017
episodic
рдЗрд╕ рдкреЙрдбрдХрд╛рд╕реНрдЯ рдореЗрдВ 🔗
рдирд╡реАрдирддрдо рдПрдкрд┐рд╕реЛрдб 🔗
Three Canadian guests with diverse backgrounds and experiences will discuss international co-productions and industry trends in Canada. The shared concerns, values, and history of New Zealand and Canada make them an ideal country to partner with and partnering is a great way to fully finance your pтАж
рдкрд┐рдЫрд▓реЗ рдПрдкрд┐рд╕реЛрдбреНрд╕ рдЦреЛрдЬреЗрдВ
Big Screen Symposium & Script to Screen рдХреЗ рдкрд┐рдЫрд▓реЗ рдПрдкрд┐рд╕реЛрдб рдЦреЛрдЬреЗрдВред
рдкрд┐рдЫрд▓реЗ рдПрдкрд┐рд╕реЛрдб 🔗
Story creators Robyn Malcolm and Dianne Taylor and producer/director Peter Salmon come together to talk about their collaborative process, from the very earliest story conversations to the writing, all stages of production, and publicity.
Peter, Dianne and Robyn will discuss some of their learningтАж
Following the recent New Zealand┬аrelease of┬аThe Moon is Upside Down, Loren Taylor (writer/director/actor) joins moderator and writer Duncan Sarkies (Scarfies, and┬аTwo Little Boys) to discuss her writing process, the challenges of creating stories and characters that come alive on screen, and how shтАж
Kimball Thurston leads the strategy for future technology for VFX production at Weta FX. This session uses real-life examples as he offers insight into the AI intersections with creative artists and how these tools add to the creative process, not take away from it. This session is presented by WetтАж
The eleven regional film offices around New Zealand might be seen as competitors, but theyтАЩve found a way over the last decade to cooperate and collaborate with each other in the spirit of тАШNZ IncтАЩ, recognising the healthy тАШcoopetitionтАЩ can be the best way to combine resources and achieve shared goтАж
Australian Casting director Anousha Zarkesh, an influential creative force in the Australian screen industry, is in conversation with producer Fraser Brown discussing how to establish a great relationship with your Casting Director. They cover searching for new talent and attaching high-profile actтАж
ALEXANDER SWORDS presents Diverse Story Telling Patterns. He introduces the building blocks and patterns discovered in his research for Narrative Design. This gives an insight тАЬunder the hoodтАЭ of how the different conventions function to engage audiences around the world. YouтАЩll discover what film тАж
Historically speaking, there has been a lack of representation and access for those who are deaf, disabled or neurodivergent within the screen industry. Chelsea Bridges, Jared Flitcroft and Felicity Hamill have a mission to improve industry standards by using their skills as access coordinators. ThтАж
With many people unable to continue working full time due to changing life circumstances and wellbeing concerns or outright leaving the screen industry, job-sharing is becoming a widely recommended practice. Jonathon Dutton from Screen Well Australia presents the findings from the Screen Australia тАж
NZ On Air Head of Partnerships Raewyn Rasch introduces a case study of Sky Originals show Miles From Nowhere, where producers Ahmed Osman and Sam Wilton talk about the strategies they implemented to ensure inclusive representation of the Muslim community throughout the entire production process froтАж
рдЕрд╕реНрд╡реАрдХрд░рдг: рдЗрд╕ рдкреГрд╖реНрда рдкрд░ рдПрдореНрдмреЗрдбреЗрдб рдкреЙрдбрдХрд╛рд╕реНрдЯ рдФрд░ рдХрд▓рд╛рдХреГрддрд┐ Script to Screen рд╕реЗ рд╣реИрдВ, рдЬреЛ рдЗрд╕рдХреЗ рдорд╛рд▓рд┐рдХ рдХреА рд╕рдВрдкрддреНрддрд┐ рд╣реИ рдФрд░ Listen Notes, Inc. рд╕реЗ рд╕рдВрдмрджреНрдз рдпрд╛ рд╕рдорд░реНрдерд┐рдд рдирд╣реАрдВ рд╣реИред
рдкреЙрдбрдХрд╛рд╕реНрдЯ рдЦреЛрдЬ рдЗрдВрдЬрди
рдЖрдк рд▓реЛрдЧреЛрдВ, рд╕реНрдерд╛рдиреЛрдВ рдпрд╛ рд╡рд┐рд╖рдпреЛрдВ рдХреЗ рдЖрдзрд╛рд░ рдкрд░3,824,945рдкреЙрдбрдХрд╛рд╕реНрдЯ рдФрд░195,795,401рдПрдкрд┐рд╕реЛрдб рдЦреЛрдЬрдиреЗ рдХреЗ рд▓рд┐рдП рд╣рдорд╛рд░реА рд╡реЗрдмрд╕рд╛рдЗрдЯ рдХрд╛ рдЙрдкрдпреЛрдЧ рдХрд░ рд╕рдХрддреЗ рд╣реИрдВред
рдЬреНрдЮрд╛рди рдореЗрдВ рдирд┐рд╡реЗрд╢ рд╕рдмрд╕реЗ рдЕрдЪреНрдЫрд╛ рд▓рд╛рдн рджреЗрддрд╛ рд╣реИ, рдЗрд╕рд▓рд┐рдП рдореИрдВ рдкреЙрдбрдХрд╛рд╕реНрдЯ рд╕реБрдирддрд╛ рд╣реВрдБред
‐ Benjamin "Llamacorn" Franklin
рдкрд┐рдЫрд▓реЗ рдПрдкрд┐рд╕реЛрдбреНрд╕ рдЦреЛрдЬреЗрдВ
Big Screen Symposium & Script to Screen рдХреЗ рдкрд┐рдЫрд▓реЗ рдПрдкрд┐рд╕реЛрдб рдЦреЛрдЬреЗрдВред
рдЗрд╕ рдкреЙрдбрдХрд╛рд╕реНрдЯ рдХрд╛ рджрд╛рд╡рд╛ рдХрд░реЗрдВ
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