# Tim Bevan
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Timothy John Bevan, (born 20 December 1957) is a New Zealand-British film producer, the co-chairman (with Eric Fellner) of the production company Working Title Films.
Bevan and Fellner are the most successful British producers of their era, having produced several critically and commercially successful films including Four Weddings and a Funeral (1994), Elizabeth (1998), Notting Hill (1999), Billy Elliot (2000), Bridget Jones's Diary (2001), Atonement (2007), Frost/Nixon (2008), Tinker Tailor Soldier Spy (2011), The Theory of Everything (2014), and Darkest Hour (2017). They are also notable for their long-time collaboration with American filmmakers the Coen brothers, having produced Barton Fink (1991), Fargo (1996), The Hudsucker Proxy (1994), The Big Lebowski (1998), and O Brother, Where Art Thou?
Demi Moore hits red carpet with 3 daughters for 'The Substance' premiere
L-R: Scout LaRue Willis, Tallulah Willis, Demi Moore, and Rumer Willis – Lila Seeley/FilmMagic via Getty Images
Demi Moore hit the red carpet for her new film The Substance on Monday night in Los Angeles with daughters Scout LaRue Willis, Tallulah Willis and Rumer Willis by her side.
Moore share…
Blitz - MOVIE REVIEW
Hey everyone, Steve McQueen - director of 12 Years a Slave - has a new film coming out in Blitz. This film just had its premiere at the BFI London Film Festival and since I'm in Manchester for university, I was lucky enough to attend one of the LFF on tour screenings that was held in Manchester (on…
Ep 2. The Substance (2024) - Film Review
Things get spooky, slimy, and even stinkier in the cellar today as Jack and Cameron review The Substance. Were they sickened by the gore? Were they blown away by Demi Moore? Were they crying out for mid-budget movies galore? Listen to find out! And we promise there are no awkward rhymes in the pod.…
The Substance (2024) is One Crazy Body Horror Film! - Movie Review | Demi Moore | Margaret Qualley | Epictastic Joshua
The Substance is one of this year's most talked about horror films - and for great reasons - thanks to it's direction, story and deliverance on what people expected out of this. It is also a bit of a welcoming comeback for Demi Moore.
In this video, Epictastic Joshua's Joshua Drake talks about The…
432: Stephen Frears in conversation with Charlotte Metcalf
Stephen Frears is one of Britain’s most prolific and successful film and television directors. His 1985 film My Beautiful Laundrette made his name and launched the careers of Daniel Day-Lewis and Tim Bevan of Working Title.
Stephen talks to Charlotte Metcalf about his phenomenal career, from dir…
Crime 101 - MOVIE REVIEW
Crime 101 - based on a novella by Don Winslow - lands in cinemas this weekend. It's a crime saga but a surprisingly focused chaaracter drama, with interconeecting threads that lead to quite the convergence in the third act of this movie. This film is being adapted by Bart Layton, who made the criti…
Baby Driver (2017)
Today on Politics In Movies, Mike and GS do vehicular parkour to escape an angry marine while analyzing the hit 2017 Action Thriller Baby Driver. Written and directed by Edgar Wright, our favorite Pop Culture Ourobouros. Produced by Nira Park, Tim Bevan and Eric Fellner. Starring Ansel Elgort, Kevi…
3. Daisy Edgar-Jones & George MacKay on Yearnmaxxing
Our very own Elinor and Edward, the magnetic Daisy Edgar-Jones & George MacKay, join producers Tim Bevan and India Flint to discuss how they prepped before the cameras started rolling. From friendship to chemistry to George’s turn as Mrs Jennings, this is one you won’t want to miss.
A gentle warnin…
2. Characters, Energies & Chemistry
Join casting director Kharmel Cochrane, director Georgia Oakley and producer Tim Bevan as they dive into the process behind finding our ensemble cast. We’ll hear about their opinions on tapes vs in-person auditions, the search for our leading men, and the first time we saw the Dashwood sisters toge…
1. 18th Century Lovebombing, Gaslighting & Ghosting
Our series kicks off with an illuminating episode about the art of adaptation. The team discuss how to bring Austen to a contemporary audience - from focusing on sisterhood, to teasing out modern dating parallels, relatable characters and timeless themes of first love and heartbreak. This is an int…
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