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Tonight on Triple Feature, we're focusing on legendary horror director Wes Craven, specifically looking at Shocker, Vampire in Brooklyn and My Soul To Take.
From an executed serial killer who returns through electricity to a seductive vampire stalking New York City and a supernatural mystery involving a murdered family and seven teenagers, these three films represent some of Craven's stranger and more divisive work.
Across three decades, Craven repeatedly explored possession, fractured families, inherited evil, and the struggle between individuals and authority. But do these recurring themes reveal a filmmaker wrestling with his own psychological demons, or a director recycling the same ideas with diminishing returns?
We'll examine the performances, outrageous storytelling, supernatural mythology, and occasional absurdity of these three films while asking whether Craven's reputation as a master of horror extends beyond his most celebrated franchises. Join us for a journey through the weird, wild, and frequently ridiculous side of Wes Craven.
Disclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network.
Mark Radulich and his wacky podcast on all the things:
https://linktr.ee/markkind76
also
https://www.teepublic.com/user/radulich-in-broadcasting-network
FB Messenger: Mark Radulich LCSW
Tiktok: @markradulich
twitter: @MarkRadulich
Instagram: markkind76
RIBN Album Playlist: https://suno.com/playlist/91d704c9-d1ea-45a0-9ffe-5069497bad59
From an executed serial killer who returns through electricity to a seductive vampire stalking New York City and a supernatural mystery involving a murdered family and seven teenagers, these three films represent some of Craven's stranger and more divisive work.
Across three decades, Craven repeatedly explored possession, fractured families, inherited evil, and the struggle between individuals and authority. But do these recurring themes reveal a filmmaker wrestling with his own psychological demons, or a director recycling the same ideas with diminishing returns?
We'll examine the performances, outrageous storytelling, supernatural mythology, and occasional absurdity of these three films while asking whether Craven's reputation as a master of horror extends beyond his most celebrated franchises. Join us for a journey through the weird, wild, and frequently ridiculous side of Wes Craven.
Disclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network.
Mark Radulich and his wacky podcast on all the things:
https://linktr.ee/markkind76
also
https://www.teepublic.com/user/radulich-in-broadcasting-network
FB Messenger: Mark Radulich LCSW
Tiktok: @markradulich
twitter: @MarkRadulich
Instagram: markkind76
RIBN Album Playlist: https://suno.com/playlist/91d704c9-d1ea-45a0-9ffe-5069497bad59
Anglais
États-Unis
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TRANSCRIPTION 🔗
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The following may contain offensive language, adult humor, and or
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content that some viewers may find offensive. The views and
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opinions expressed by any one speaker does not explicitly or
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necessarily reflect or represent those of Mark Rattledge or W2M Network.
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Please listen with caution, or don't listen at all.
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1
00:00:07.110 --> 00:00:11.369
The following may contain offensive language, adult humor, and or
2
00:00:11.429 --> 00:00:15.470
content that some viewers may find offensive. The views and
3
00:00:15.509 --> 00:00:19.809
opinions expressed by any one speaker does not explicitly or
4
00:00:19.949 --> 00:00:25.530
necessarily reflect or represent those of Mark Rattledge or W2M Network.
5
00:00:26.030 --> 00:00:29.929
Please listen with caution, or don't listen at all.
6
00:00:32.130 --> 00…
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