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À PROPOS DE CET ÉPISODE
Vera Molnar and the machine imaginaire; Sarah Cook and CRUMB; Amy Goodchild on writing as field infrastructure.
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États-Unis
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AUTRES ÉPISODES DANS CE PODCAST
Françoise Poos, Artistic and Scientific Director at Elektron Luxembourg, frames the distinction between art that operates inside systems and art that illustrates them from outside. Lauren Berlant, Track Tracy, and the question of what a nomadic institution becomes when it acquires a fixed space. ZK…
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Adam Harvey, Paolo Cirio, and Heather Dewey-Hagborg: three counter-surveillance artists whose works make claims that depend on the tool actually functioning.
Three curators, three answers to the same question: where does surveillance art discourse actually live? Stephanie Hankey, Elena Filipovic, and Marc Garrett and their different theories of space, authority, and audience.
Two approaches to machine infrastructure legibility: James Bridle names and theorizes (New Aesthetic, New Dark Age, Ways of Being); Julian Oliver builds interventions that detonate (Critical Engineering Manifesto, Newstweek, Transparency Grenade). Closing on ZKM Life After the Academy and MARS! Gov…
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