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Glenn Morrow owned and ran Bar/None Records for decades, signing acts such as They Might Be Giants, Yo La Tengo, Freedy Johnston, Alex Chilton, Ezra Furman and the Feelies. Morrow previously was a writer/editor at the influential punk/new wave magazine New York Rocker, and he fronted bands: “a” was…
Urge Overkill appeared to be riding high after the critical triumph of its 1993 album, Saturation, and the prominent appearance of its Neil Diamond cover, “Girl, You’ll Be a Woman Soon,” in Pulp Fiction in 1994. But by the time the alt-rock trio reunited with producers the Butcher Bros. to record t…
In Pt. 2 of this lively, insightful conversation with Liberty DeVitto’, Billy Joel’s longtime drummer revisits the challenge of drumming in the synth-driven 1980s; the making of Joel’s albums The Bridge, Storm Front and River of Dreams; the creation of the smash single “We Didn’t Start the Fire”; t…
Jason and the Scorchers (née Jason and the Nashville Scorchers) were cowpunk trailblazers before anyone was talking about alt-country or Americana. Frontman/songwriter Jason Ringenberg and his bandmates, including fiery guitarist Warner Hodges, infused country music with punk energy to thrilling ef…
Hired when Billy Joel wanted “a New York-style drummer,” Liberty DeVitto laid down indelible parts for the singer-songwriter-pianist’s music from 1976’s Turnstiles onward. In part one of a lively two-part conversation, this big-talent, big-personality drummer takes us from his early years, when his…
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