À PROPOS DE CET ÉPISODE
Rob examines the crossroads of Usher’s pop star persona and Lil Jon’s unique vocal and musical genius this week when taking a look back at the smash hit “Yeah!” (1:00). Then, he is joined by Clover Hope to talk about the construction of Usher’s career, the imagery and storytelling that went into making him more interesting to audiences, his staying power, and more (59:00).
Host: Rob Harvilla
Guest: Clover Hope
Producers: Jonathan Kermah, Justin Sayles, and Bobby Wagner
Additional Production Support: Olivia Crerie
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RECHERCHER LES ÉPISODES PASSÉS
Rechercher les épisodes précédents de 60 Songs That Explain the '90s.
AUTRES ÉPISODES DANS CE PODCAST
We should have known that, despite the irony, the kid from New Jersey who defended the purchasing of serial killer comics would grow up to become the defender of the broken, beaten, and damned. Today, Rob recollects the discovery of his emo phase with the enduring anthem “Welcome to the Black Parad…
Although this podcast has continuously shown that we cheer for the underdog, every now and then we must tip our cap to the suits and head honchos. When Evanescence’s record label insisted that Amy Lee sing alongside a rapper on their song, “Bring Me To Life,” their seemingly cringey idea only accen…
This week’s episode is all about comfort. It’s about being remembered and what better person to commemorate that feeling with than the person whose music doesn’t seem to age- Sade. Sade came out with “By Your Side” after disappearing with no explanation for 8 years because she felt that was best fo…
Today, Rob explains how even after five successful studio albums, Spoon still felt vengeful enough to write the most triumphant song about being the underdog. He reflects on how Spoon's major label dropped the Austin rockers and became the opposite of a muse for the band, shaping their swaggery ima…
We’re going back to our roots this week—back to our Toyota Corollas and Chrysler LeBarons or whatever other shitty cars we drove back in the ’90s—to blast some Bush. Rob ponders whether frontman Gavin Rossdale is a good lyricist and extends some empathy in the age of Nirvana, when no alt-rock band …
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