درباره این پادکست 🔗
Behind the scenes stories from the making of Nightmare Before Christmas. Each episode is an in depth interview with a different crew member. Animators, artists, techies, production staff, and more all stop by to tell what it was like making this incredible film.
میزبان‌ها:
فرکانس به روز رسانی:
monthly
میانگین طول صدا:
46 minutes
مصاحبه های مهمان
انگلیسی
ایالات متحده آمریکا
40 قسمت
از سال 12 اوت 2019
episodic
آخرین اپیزود 🔗
Director Henry Selick and animator Anthony Scott interviewed in front of a live audience at the Disney Family Museum in San Francisco.
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اپیزودهای قبلی We Know Jack Show را جستجو کن.
اپیزود قبلی 🔗
He was responsible for the overall look of the film through the lens of a half dozen different camera crews on 20 different sets. Not to mention he basically invented motion control.
Bonita was in charge of getting every single puppet completed and ready for animation - a mind boggling amount of work. She tells us all about it.
Ghosts, smoke, fire, stars, snowflakes, and obsolete techniques.
Sewing, painting, dressing, and bringing every single puppet to life.
Henry Selick, Art Clokey, Peter Jackson, Marilyn Manson, motorcycles, breast feeding, Excederin, Gumby, cotton ball clouds, and of the course the beauty of stop motion animation.
Carl takes us on a Skellington journey through the lens of a possibly irradiated camera. Collaboration, multiple camera crews, multiple set ups, in-camera effects, and the 'faces in the fire'.
Twenty four stages all running at the same time. Who kept all that in order? Kirk for one.
Allison somehow kept the entire Art Department on track - an enormous job. She tells us all about it.
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موتور جستجوی پادکست
می توانید از وب سایت ما برای جستجوی پادکست های3,822,650و قسمت های195,582,889بر اساس افراد، مکان ها یا موضوعات استفاده کنید.
سرمایه‌گذاری روی دانش بیشترین بازده را دارد؛ پس پادکست گوش می‌دهم.
‐ Benjamin "Llamacorn" Franklin
جستجوی اپیزودهای گذشته
اپیزودهای قبلی We Know Jack Show را جستجو کن.
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