درباره این اپیزود
11:00-11:30 The Preservation of Form and Function in American Public Housing
Elizabeth Milnarik, Davis Buckley Architects, Washington DC
11:30-12:00 Recording our Recent Past: Scotland’s survey and preservation initiatives of Post-War Sites and Monuments, 1985-2012
Diane Watters' Buildings Investigator, Royal Commission on the Ancient and Historical Monuments of Scotland
12:00-12:30 Panel discussion and summary
Elizabeth Milnarik, Davis Buckley Architects, Washington DC
11:30-12:00 Recording our Recent Past: Scotland’s survey and preservation initiatives of Post-War Sites and Monuments, 1985-2012
Diane Watters' Buildings Investigator, Royal Commission on the Ancient and Historical Monuments of Scotland
12:00-12:30 Panel discussion and summary
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جستجوی اپیزودهای گذشته
اپیزودهای قبلی Spring 2012 GSAPP Lectures را جستجو کن.
قسمت های دیگر در این پادکست
Helen Caldicott, Physicians for Social Responsibility
Kate Orff, Columbia University GSAPP
A cross-disciplinary dialogue on energy, environmental health, landscape, and care between physician and anti-nuclear activist Helen Caldicott and Urban Landscape Lab Director Kate Orff.
Caldicott, whose ic…
What happened to architectural objectivity? UNStudio's Ben van Berkel says: "In both art and science objective observation has of course always been paramount to understanding the nature and behaviour of that which is being observed. However, objective observation does not in itself lead to progres…
Yoshiharu Tsukamoto is one half of Atelier Bow-Wow, the Tokyo-based firm he founded with his partner Momoyo Kaijima in 1992. Whether working on a micro scale, as with their residential projects that transform the spatial constraints of congested sites into opportunities for domestic invention, or …
Aaron Betsky called visionary architect Lauretta Viciarelli's (1943–2011) watercolor paintings of buildings, light, and water "spaces for the senses, without ground, program, or context" that are "more beautiful than real." Her artwork is included in the permanent collections of the Museum of Moder…
Parisian architect and urbanist Odile Decq contends that black, not white, is the "truly neutral" color for a museum. At the Museo D'Arte Contemporanea Roma (MACRO), where she inserted the new program into an early-20th century Peroni beer factory, dark surfaces shroud the red polygon that houses t…
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