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What happened to architectural objectivity? UNStudio's Ben van Berkel says: "In both art and science objective observation has of course always been paramount to understanding the nature and behaviour of that which is being observed. However, objective observation does not in itself lead to progress. It is in how we apply the knowledge gained from our observations, in how we translate, redefine and apply this knowledge, that true transformation can occur. In architecture we not only have to engage in depth with the objective, but we have to find a balance between the subjective-objective relationship in order to create well balanced architectural concepts and solutions." #wood040412
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جستجوی اپیزودهای گذشته
اپیزودهای قبلی Spring 2012 GSAPP Lectures را جستجو کن.
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Aaron Betsky called visionary architect Lauretta Viciarelli's (1943–2011) watercolor paintings of buildings, light, and water "spaces for the senses, without ground, program, or context" that are "more beautiful than real." Her artwork is included in the permanent collections of the Museum of Moder…
Yoshiharu Tsukamoto is one half of Atelier Bow-Wow, the Tokyo-based firm he founded with his partner Momoyo Kaijima in 1992. Whether working on a micro scale, as with their residential projects that transform the spatial constraints of congested sites into opportunities for domestic invention, or …
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Kate Orff, Columbia University GSAPP
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Parisian architect and urbanist Odile Decq contends that black, not white, is the "truly neutral" color for a museum. At the Museo D'Arte Contemporanea Roma (MACRO), where she inserted the new program into an early-20th century Peroni beer factory, dark surfaces shroud the red polygon that houses t…
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