درباره این پادکست 🔗
AP Studio Files is an interview-style podcast focused on artists and creatives in New York City hosted by Miller Pyke.Mini Episodes with technical producer Art Kopischke now exclusively available on Patreon with podcast transcripts available to the public
میزبان‌ها:
فرکانس به روز رسانی:
bimonthly
میانگین طول صدا:
41 minutes
مصاحبه های مهمان
انگلیسی
ایالات متحده آمریکا
51 قسمت
از سال 19 فوریه 2021
episodic
آخرین اپیزود 🔗
Sedona discusses the art of balancing many artistic practices, calling in favors and releasing work.
جستجوی اپیزودهای گذشته
اپیزودهای قبلی AP Studio Files را جستجو کن.
اپیزود قبلی 🔗
Sedona discusses the art of balancing many artistic practices, calling in favors and releasing work.
Grateful to sit down with Honeycrush to discuss art and creativity bursting out of us and what happens when we finally let it free.
Emily Hatch shares the vulnerability of grief, finding her voice & an exciting new project!
Toni T is a highly accomplished performer and singer who we were excited to talk to about career highs and lows and always knowing what the right next step should be for her career.
Raine Roberts breaks down the technical changes in her work, recent successes and life after cancer.
Naomi Falk joins us to discuss publishing, book making and the release of her first book THE SURRENDER OF MAN
BlackJeans speaks to AP regarding his party series, keeping the play in producing and their wild upbringing at Lartis P’Chonskis club.
Tobi joins us to discuss confidence, his lore and the process and upcoming debut of his short “The Coretta Show."
سلب مسئولیت: پادکست و آثار هنری تعبیه شده در این صفحه متعلق به Miller Pyke است که متعلق به صاحب آن است و به Listen Notes، Inc وابسته یا تایید نشده است.
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می توانید از وب سایت ما برای جستجوی پادکست های3,827,930و قسمت های196,318,180بر اساس افراد، مکان ها یا موضوعات استفاده کنید.
I have no special talent. I am only passionately curious, and
I listen to podcasts.
‐ Albert "Llamacorn" Einstein
جستجوی اپیزودهای گذشته
اپیزودهای قبلی AP Studio Files را جستجو کن.
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