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Every three weeks one of us picks a series of three movies based on whatever theme that person wishes. We then spend the next three episodes watching and discussing those movies in chronological order from when they were made.
Presentadores:
Frecuencia de actualización:
every 16 days
Duración media del audio:
89 minutes
Inglés
Estados Unidos
129 episodios
desde 9 de junio de 2020
episodic
contenido explícito
ÚLTIMO EPISODIO 🔗
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EPISODIOS ANTERIORES 🔗
Jami Gertz! Glittery blood! The first openly gay child vampire hunter! We were born to shop and kill vampires, and our credit cards are all maxed out.
Tale as old as time
Vamp and girlfriend flee
Bounty hunters chase
Plan to fly to space
To vampire city
Barbaroi are strange
One of them is tree
Trap me in a void
Shadow man destroyed
Vampire Hunter D
Blood Countess is mean
Takes us by surprise
Stab her with my sword
Let the couple board
Rocket …
You wanna know how I got these...laughs? We're taking on the buddy-cop comedy classic that didn't kill any of its stars, The Dark Knight. What is Joker's plan? What does Nolan think about the Patriot Act? What the hell is Jim Gordon talking about? All that, plus an interview with Mike's friend Davi…
Well, we did it, folks. We made Kit watch Interstellar. Hell of a long movie. Space is real wacky, y'all.
The march toward forcing Kit to watch Interstellar begins with Dunkirk. Is it Nolan's masterpiece? Or is there still too much talking?
David Nutter directed several all-timer X-Files episodes. So why is this movie so not razor?
The Arrival had the misfortune of debuting a few weeks before Independence Day, but at least one member of the SMTF crew thinks its the better of those two movies! Justice for The Arrival!
Pierce Brosnan is a sexy scientist and Jeff Fahey is a sexy, uh, well, you'll see. Fortunately, this movie has no pertinent parallels to our current moment and the episode doesn't get derailed at all.
In this special episode, Andrew and erstwhile producer Lee make the case for The Life of Chuck, the unappealingly titled, genre-bending, expectation-defying film from horror master Mike Flanagan.
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