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Cinemad covers the true edge of cinema, from avant-garde masters and outsider artists to pure independent filmmakers and Hollywood between the lines.
Frecuencia de actualización:
every 136 days
Duración media del audio:
64 minutes
Inglés
Estados Unidos
27 episodios
desde 6 de julio de 2011
episodic
contenido explícito
ÚLTIMO EPISODIO 🔗
Alex Cox is a longtime filmmaker with a deserved cult fanbase thanks to REPO MAN, SID & NANCY, STRAIGHT TO HELL and WALKER, and has continued to make low budget films ever since, including his 1991 film EL PATRULLERO (HIGHWAY PATROLMAN), currently in re-release in theaters.
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EPISODIOS ANTERIORES 🔗
Stan Brakhage and Godfrey Reggio Talk to High School Students:
I found an old cassette tape of an interview I made for the print issue Cinemad #2. Avant masters Stan Brakhage and Godfrey Reggio met for the first time at the Telluride Film Festival in 1999 while speaking with high school students at…
To learn more about films about English Professors, I interviewed my friend Sean who is a college English Professor. Originally from Florida, now teaching in the middle of California, he skates, surfs, writes poetry and books, runs the indie Gorsky Press, and is a Thomas Pynchon scholar. We talk ab…
Apichatpong Weerasethakul is incredibly modest. From his first feature
Mysterious Object at Noon (2000) to the popular Syndromes and a
Century (2006) and Uncle Boonmee Who Can Recall His Past Lives (2010), his films and installations play around the world in art houses and museums with huge critica…
Longtime artist and filmmaker Jennifer Reeder is originally from Ohio and puts much of that midwest town essence into her characters and themes in art, installations and films.
Now living and working in Chicago for decades, two of her most recent shorts take nuanced looks into teen life that are v…
My friends C and S, who used to be daily addicts, talk about films. For the drug-film genre, heroin movies often try to be the most realistic, whether glorifying or damning. C&S talk about what their day-to-day drug life was like, what they think of the films and characters, AIDS scares, art, n…
Calvin Lee Reeder has been kicking around the avant gutter for a long time now. His 16mm shorts weirded out audiences at film festivals and then two feature films did - THE OREGONIAN and THE RAMBLER. His layers of vivid color and texture in the film's images and constructed soundtrack pumps electri…
This is a quick podcast, highlights from a panel discussion I led at the Off Camera Film Festival in Krakow in 2009, where Anna Karina was showing a selection of her films she made with Godard and a few films she directed. If you don't know her, she made some of the best films of the 1960s with Jea…
Name a film. Immediately and from memory, Chris will tell you what date it was released and Chad will tell you what the box office was. How would two guys go from being obsessed with Hollywood so much that they know marketing statistics to being entrenched in the independent film world. One going f…
Jem Cohen has been making films since the 1980s, from legendary short shorts ("This Is A History of New York") and mystical longer shorts ("Lost Book Found") to inspiring features ("Benjamin: Smoke" co-directed with Peter Sillen, and "Fugazi: Instrument"). He captures people in such a way that you …
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