ÜBER DIESEN PODCAST 🔗
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Hosts:
Aktualisierungshäufigkeit:
every 10 days
Durchschnittliche Audiolänge:
87 minutes
Gastinterviews
Englisch
Vereinigte Staaten
508 Folgen
seit 14. Dezember 2010
episodic
AUDIENCE OF THIS PODCAST 🔗
~50.92% of listeners are from United States.
🇺🇸
US
50.92%
🇬🇧
GB
17.69%
🇩🇪
DE
3.76%
🇨🇦
CA
3.76%
🇳🇱
NL
3.08%
🇧🇪
BE
2.34%
🇦🇺
AU
2.21%
🇫🇷
FR
1.84%
🇳🇴
NO
1.29%
🇳🇿
NZ
0.98%
🇪🇸
ES
0.80%
🇸🇬
SG
0.73%
🇮🇪
IE
0.73%
🇮🇳
IN
0.55%
🇿🇦
ZA
0.49%
🇷🇴
RO
0.49%
🇵🇭
PH
0.43%
🇨🇿
CZ
0.43%
🇹🇼
TW
0.43%
🇨🇭
CH
0.43%
🇲🇽
MX
0.43%
🇫🇮
FI
0.43%
🇯🇵
JP
0.36%
🇹🇷
TR
0.36%
🇷🇺
RU
0.36%
🇵🇰
PK
0.30%
🇭🇰
HK
0.30%
🇮🇱
IL
0.24%
🇸🇮
SI
0.24%
🇹🇭
TH
0.24%
🇸🇪
SE
0.18%
🇺🇬
UG
0.18%
🇬🇷
GR
0.18%
🇦🇪
AE
0.18%
🇺🇦
UA
0.18%
🇧🇾
BY
0.18%
🇧🇷
BR
0.12%
🇮🇹
IT
0.12%
🇲🇾
MY
0.12%
🇵🇹
PT
0.12%
🇻🇳
VN
0.12%
🇦🇹
AT
0.12%
🇦🇷
AR
0.12%
🇨🇴
CO
0.12%
🇪🇬
EG
0.12%
Others
1.20%
* Data source: directly measured on Listen Notes. in Echtzeit
NEUESTE FOLGEN 🔗
Today’s conversation is an archival recording from 2021 with the Moroccan writer and filmmaker Abdellah Taïa discussing his novel A Country For Dying, translated by Emma Ramadan and winner of the 2021 PEN Translation Award. We talk about voice in relation to self, story in relation to truth, writin…
VERGANGENE FOLGEN SUCHEN
Vorhandene Folgen von Between The Covers : Conversations with Writers in Fiction, Nonfiction & Poetry durchsuchen.
FRÜHERE EPISODEN 🔗
Today’s episode, recorded live at the 2nd annual Portland Poetry Confluence, is a conversation between two National Book Award winners, Lena Khalaf Tuffaha in poetry and Omar El Akkad in prose. We use the essay “Notes on Craft: Writing in the Hour of Genocide,” by Palestinian poet…
Ursula K. Le Guin titled her introduction to Ursula K. Le Guin: Conversations on Writing “Fear and Loathing in the Interview,” and in it she said: “The good interview is like a good badminton rally: you know right away that the two of you can keep that birdie in the air, and all y…
Layli Long Soldier returns to the show to discuss her latest remarkable poetry collection We (and/or Wé). We talk about these two connotations of we/wé, the questions of address, audience, identity and kinship implicit in them both. We explore the many visual art installations documented within We …
Today’s unforgettable archival conversation with Elvia Wilk was recorded in-person in 2019 on the occasion of the release of her debut novel Oval. Wilk takes questions of self and other, nature and culture, human and non-human into the dystopic near-future and into the realm of both philosoph…
Today’s archival episode with Marlon James was recorded in 2019 at the studios of KBOO community radio. Marlon’s latest book The Disappearers has garnered the most talked about book review of this year, from the New York Times book critic Dwight Garner (who isn’t known to gush). Not onl…
China Miéville’s much-anticipated new book The Rouse is twenty-one years in the making. He was writing it when he wrote The City & The City and Embassytown. He was writing it when he wrote October: The Story of the Russian Revolution and A Spectre Haunting: On the Communist Manifesto. He …
Today’s conversation between Thalia Field and David Naimon, moderated by Anne de Marcken, was recorded in February as part of the Pacific Northwest College of Art’s Visual Arts low residency MFA program. Thalia and David discuss and explore their pieces within the anthology Creature Nee…
Today’s guest, poet Hajjar Baban, discusses her truly remarkable debut collection of poetry Low Flying Planes. Together we explore Kurdish poetics, the role of silence, refusal and isolation in her work, the Kurdish Poets Collective, writing lineages, and much more. Selected for the 2025 Nati…
Today’s conversation with poet Morgan Parker was recorded in-person in 2019 and was Morgan’s second appearance on the show. Both conversations with Morgan are unforgettable, so don’t miss her first appearance in 2017 after you enjoy today’s episode about Magical Negro. Later…
Rechtliche Hinweise: Der auf dieser Seite eingebettete Podcast und das Bildmaterial stammen von David Naimon, Milkweed Editions, das Eigentum seines Eigentümers ist und nicht mit Listen Notes, Inc. verbunden ist oder von diesen unterstützt wird.
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