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Welcome to The Cut Critic! đ§đŦ
Iâm Dani, a filmmaker talking you through the movies and shows Iâm watching. In each episode, Iâll break down the good, the bad, and the weird from a filmmakerâs perspective (... A ... filmmaker. Me. My Perspective ... don't come for me! haha)
We'll talk directing, cinematography, production design, narrative and all the stuff that makes a movie tick. Whether youâre a die-hard cinephile or just someone who enjoys a good movie - Welcome to The REEL World. đī¸
Iâm Dani, a filmmaker talking you through the movies and shows Iâm watching. In each episode, Iâll break down the good, the bad, and the weird from a filmmakerâs perspective (... A ... filmmaker. Me. My Perspective ... don't come for me! haha)
We'll talk directing, cinematography, production design, narrative and all the stuff that makes a movie tick. Whether youâre a die-hard cinephile or just someone who enjoys a good movie - Welcome to The REEL World. đī¸
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every 67 days
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14 minutes
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episodic
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Itâs been a while, but The Cut Critic is back!
In this episode, I dive into a cinematic shift Iâve been obsessed with: the resurgence of gothic and surrealist cinema.
This isnât a usual episode about a single film. Instead, weâre looking at how modern filmmakers are turning inward, using gothic aeâĻ
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In this episode of The Cut Critic, weâre diving broom-first into The Love Witch (2016), directed by Anna Biller.
The film follows Elaine, a modern-day witch with a vintage aesthetic, whoâs on a relentless quest for true loveâarmed with potions, seduction, and a dangerously obsessive streak. As herâĻ
In this episode of The Cut Critic, we're diving into Ari Aster's 2019 daylight-horror fillm, Midsommar .
It follows Dani, a grieving woman who travels with her boyfriend Christian and his friends to a rural Swedish village to attend a midsummer festival.
What begins as a serene and picturesque râĻ
In this episode of The Cut Critic, weâre diving broom-first into The Witches of Eastwick (1987), directed by George Miller. The film follows three women who accidentally summon the devilishly charming Daryl Van Horne and find themselves tangled in a web of power, desire, and rebellion against theirâĻ
Nocturnal Animals, directed by Tom Ford, follows Susan, an art gallery owner, who receives a manuscript from her ex-husband, Edward, whom she left years ago. As she reads the violent and haunting story, parallels between the novel's events and their past relationship begin to surface, forcing her âĻ
Welcome to The Cut Critic! đ§đŦ
Iâm Dani, a filmmaker talking you through the movies and shows Iâm watching. In each episode, Iâll break down the good, the bad, and the weird from a filmmakerâs perspective (... A ... filmmaker. Me. My Perspective ... don't come for me! haha)
We'll talk directiâĻ
Hi everyone! <3
I am so excited to share the second episode of The Page Pedestrian with you all! This episode will be covering the chapters 3 and 4 of Charles Dickens'Â Great Expectations.
Here are some useful timestamps:
Ep1 Recap: 00:34
Chapter 3: 01:55
Chapter 4: 11:14
âĻ
Hello everyone! <3
I am so excited to share the first episode of The Page Pedestrian with you all! This episode will be covering the first two chapters of Charles Dickens' Great Expectations.
Here are some useful timestamps:
Chapter 1: 1:00
Chapter 2: 10:00
Feel free to join the convâĻ
Hello everyone! <3
This podcast will act as an audio-booking service. I will be covering a few classic novels over the course of many episodes. These books, such as Pride and Prejudice, Wuthering Heights, Great Expectations, Gulliver's Travels, The Scarlet Letter, The Great Gatsby, and many morâĻ
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I have no special talent. I am only passionately curious, and
I listen to podcasts.
‐ Albert "Llamacorn" Einstein
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