關於這一集
guest: Carlos Santos
Recorded 12.12.08
Dome of the National Pantheon, Lisbon
João Silva: crystal bowl
Paulo Raposo: space multi-channel diffusion and real-time processing
Carlos Santos: glass and bell
"Book of Hours" was recorded in the remarkable baroque central dome of the National Pantheon in Lisbon.
The musicians (and the audience) were 40 meters above ground level on a narrow circular balcony looking out over the abyss. The main sound source was a crystal bowl, played by João Silva, which was struck and resonated with a stick. Paulo Raposo processed these sounds and diffused them throughout the space via 6 channels, 4 of which were small self-powered speakers, arranged symetrically around the circumference of the dome. Carlos Santos also moved throughout the space and the audience with a small glass and a Tibetan bell.
The sonic interactions in "Book of Hours" aimed to reveal the inherently active qualities of the space, itself a performer in this acoustic dialog.
Recorded 12.12.08
Dome of the National Pantheon, Lisbon
João Silva: crystal bowl
Paulo Raposo: space multi-channel diffusion and real-time processing
Carlos Santos: glass and bell
"Book of Hours" was recorded in the remarkable baroque central dome of the National Pantheon in Lisbon.
The musicians (and the audience) were 40 meters above ground level on a narrow circular balcony looking out over the abyss. The main sound source was a crystal bowl, played by João Silva, which was struck and resonated with a stick. Paulo Raposo processed these sounds and diffused them throughout the space via 6 channels, 4 of which were small self-powered speakers, arranged symetrically around the circumference of the dome. Carlos Santos also moved throughout the space and the audience with a small glass and a Tibetan bell.
The sonic interactions in "Book of Hours" aimed to reveal the inherently active qualities of the space, itself a performer in this acoustic dialog.
英語
美國
逐字稿 🔗
Are you the producer of this podcast?
Add a podcast transcript
Need Audio-to-Text?
Transcribe with Listen411 in Just 60 Seconds
本 Podcast 中的其他單集
Through the Night was recorded on June 10th 2018 at Glenshee, Scotland during ‘Murmurations’.
Mixed with Rob Aitken, with thanks to Chris Watson + Jez Riley French.
Whilst on holiday in Sicily Stuart wanted to capture the sound of the local church bells. Choosing to record at 12 noon every day seemed a reasonable way
to record more elaborate bell combinations whilst also fitting in other holiday plans with his travelling companion.
An edit of ten minutes …
"Between the City and the Forest" collects field recordings made between 2015-2018 in areas around Los Angeles, Mojave, and the Sierra Nevada.
The piece features a millipede walking on a tent, many species of birds, treefrogs, electromagnetic and other urban city textures, as well as some websd…
Estonia has a rich and powerful nature orchestra, and this might be because two thirds of the country is covered with forests and bogs which are often almost untouched. Estonian nature sound is sometimes discrete and quiet, sometimes powerful, but it is always magical.
This sound piece features th…
This recording was made at the Block Gallery in New Cross on May 27th 2018 to mark the closing of the ‘Maquettes’ exhibition. The full text of the reading is available in issue 3 of Satorimagazine. Richard Bevan supplied the recording. The photograph is by Rachel Hollings.
免責聲明: 本頁面嵌入的 Podcast 和封面圖片來自 Touch，歸其所有者所有，與 Listen Notes, Inc. 無關聯，也未獲得 Listen Notes, Inc. 背書。
