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This Is Us Explained.
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Season 1, Episode 16.
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Memphis.
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Randall Pearson, the Black adoptee raised by white parents,
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is five days out of the hospital.
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His biological father William Hill,
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terminal cancer patient and Memphis poet,
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has one last thing to show him.
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No other storyline shares this episode:
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just the two of them, a borrowed road map,
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and thirty years of separation finally running out.
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William's whole life plays out in parallel flashbacks,
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from his mother Dorothy's lullaby to a chance meeting in Pittsburgh that explains everything that followed.
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Randall is five days out of the hospital,
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and Beth thinks this road trip is a bad idea,
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William is stage IV.
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But the doctor approves after Randall makes his case:
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William doesn't have long and wants to show his son where he came from.
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And Beth, not convinced,
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packs half a produce department with instructions.
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What stands out is William saying goodbye to Tess and Annie while they're still in bed,
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wanting them to remember looking up at him.
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That is not someone expecting to come back.
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On the drive, William asks about Jack.
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Randall describes him, the laugh that seemed to surprise him,
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the ashes near a tree at his favorite park,
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and William asks for a detour.
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Randall objects; they go anyway.
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Right, what William does at that tree matters.
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He speaks to Jack out loud, directly:
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thanks him for raising Randall to be the man he is.
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Not asserting himself as the biological father,
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a man settling a forty-year debt.
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Memphis comes alive the way a hometown does.
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William narrates Soulsville, a water fountain kept as a segregation-era history lesson,
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then his childhood home,
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where the owners let them in.
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William digs up toys and three quarters he'd buried.
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The treasure isn't the toys.
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It's that they stayed.
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William's cousin Ricky still runs the same club,
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and is still furious;
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they were building something when William left for Pittsburgh and never came back.
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William tells him he ruined everything, he's dying,
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he needed to say so.
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Ricky accepts and hands him a guitar.
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And Randall, watching from the crowd,
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realizes these people are his extended family.
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He calls Beth, a little drunk, completely lit up,
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and holds the phone up so she can hear William playing.
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The happiest moment of the season.
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The flashbacks trace William's whole life.
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His father dies in combat when he's an infant;
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Dorothy raises him alone.
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When she has to leave for Pittsburgh to care for her dying mother,
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he stays and writes an original song about watching her train leave.
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Dorothy is the source of everything, the gift,
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the tenderness, the love that eventually reaches Randall.
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What does a mother like that leave inside a person?
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This whole episode is the answer.
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Ricky hears thirty seconds and immediately knows what they have.
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Then his mother calls.
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She's sicker than she's let on.
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William goes to Pittsburgh,
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where Dorothy sends him out to explore while she rests,
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she knows he loves buses.
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In a bar that night, he meets a woman named Laurel.
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The flashback ends right there,
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before what comes next.
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But what comes next is everything,
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Laurel DuBois is Randall's biological mother,
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dead of an overdose,
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newborn left at a fire station.
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We've never seen where they met until now.
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After Dorothy dies, William and Laurel fall into drugs;
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that end we've known all season.
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Morning after the club,
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Randall wakes to find William barely conscious and gets him to the hospital.
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The doctor, asked to be direct, is direct:
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William is not leaving this hospital.
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Hours, maybe a day.
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Right, Randall tries to push back,
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mentions an experimental drug pending approval.
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The Memphis doctor has already spoken to the New York doctor.
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There is nowhere left to push.
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In the room, William pulls a book of poems from his bag,
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written for Randall; he already said his goodbyes.
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Then his life plainly: bad breaks, bad choices,
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almosts and could-haves. The two best things were the person at the very beginning and the person at the very end.
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That speech doesn't ask for pity.
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How do you hold a life described that way?
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You find the shape of it that holds,
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Dorothy at one end, Randall at the other.
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William says he's scared.
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Randall cups his head in both hands.
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That technique is Jack's,
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Randall described it on the drive:
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hands on either side of his head,
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breathing together until the anxiety passed.
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He uses it now on his other father.
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Three fathers in that room.
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William dies with Randall there.
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On the drive home,
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Randall passes the Peabody Hotel,
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the ducks William mentioned early in the trip,
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the ones his uncle used to sneak him in to see when the hotel was segregated.
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They never got there.
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The ducks were his last thing to give.
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William Hill is dead.
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Randall drives home with poems and a borrowed calm.
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Jack's death, Rebecca's secret, Kevin's walkout:
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one episode left.