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A coffin like a little frosted cake, a lily of the valley for the dead boy’s hand, an invitation to serve as a page at court: the second half of “First Death in Nova Scotia” keeps borrowing the imagery of a royal wedding. Why does Jack Frost paint Arthur’s hair red instead of draining its color, and why is the red of the maple leaf a sign of death? Wes & Erin follow the child as she turns her cousin into a doll, a page, and a fairy tale—until the snowbound roads refute the story, and the poem’s final rhyme of “go” and “snow” closes it.
Upcoming Episodes: “Planet of the Apes” (1968); Graham Greene’s “The Power and the Glory.”
Pre-order Erin’s forthcoming book “Avail” here: http://subtextpodcast.com/avail
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Also from Wes: Curtain Times, a calendar of Boston theatre, classical, talks and readings.