GIỚI THIỆU VỀ TẬP NÀY
There are cult films, and then there are films that seem almost to disappear. For this special edition of Visionary, part of our Future Vision summer series, we unearth a conversation with the late Mike Hodges, the director who gave British cinema Get Carter, to revisit its stranger, more playful follow-up: Pulp.
Hodges tells Benjamin Wilson how the 1972 film grew out of his fascination with B-movies, postwar Italy, political extremism and the strange scandals of the paparazzi age, before taking shape with an extraordinary cast led by Michael Caine and Mickey Rooney.
But at the heart of the conversation is Lizabeth Scott. One of film noir’s most distinctive stars, Scott had largely retreated from the screen when Hodges persuaded her to return for what would become her final film appearance. He recalls their delicate first meetings, her anxieties about returning to the camera and the moment she decided to take the role – before dismissing some of the rumours that have followed her performance ever since.
A rare encounter with a great British filmmaker, looking back at a forgotten Hollywood star and one of the most curious films of his career.
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