GIỚI THIỆU VỀ TẬP NÀY
Superman editors William Hoy ACE and Craig Alpert ACE didn't need to be told there was a lot riding on this movie. Not only does it represent James Gunn's view on who Superman needs to be for modern movie-going audiences, it also kicks off Gunn's vision of the new DCU. From the first minute of the film, viewers encounter a Superman who bleeds and is grappling with not just his limitations, but also his sense of purpose. It's these complex layers that Bill and Craig balanced through their masterful editing. In James Gunn's new take on the most iconic character in the superhero realm, Superman must prove to the world that he is their protector and not a thread, after billionaire Lex Luthor enacts a plan to turn public opinion against him.
William Hoy, ACEBill is known for his work on No Way Out (1987), Dance with Wolves (1990), The Bone Collector (1999), Dawn of the Planet of The Apes (2014), War for the Planet of the Apes (2017) and The Batman (2022).
Craig Alpert, ACECraig is known for cutting Deadpool 2 (2018), Borat: Subsequent Moviefilm (2020), The Lost City (2022) and Blue Beetle (2023). He was twice nominated for an ACE Eddie award in the category of Best Edited Feature Film: Comedy (Deadpool 2, Borat: Subsequent Moviefilm).
The CreditsVisit ExtremeMusic for all your production audio needs Streamline your postproduction pipeline with Shade Hear Craig talk about his work on BORAT: SUBSEQUENT MOVIEFILM Listen to Bill discuss cutting THE BATMAN and THE CALL OF THE WILD See which model of Avid Media Composer is right for you Subscribe to The Rough Cut podcast and never miss an episode Visit The Rough Cut on YouTube
