GIỚI THIỆU VỀ TẬP NÀY
Series of recordings by Harlem-based big bands, all featuring Ben Webster's emerging tenor sax. . .Benny Carter, Willie Bryant, Fletcher Henderson, Cab Calloway, Teddy Wilson and Duke Ellington all prized Webster . . recordings also feature Shad Collins, Irving Randolph, Emmett Berry, Jerry Blake, Keg Johnson, Jake Wiley, Glyn Paque, Garvin Bushell, Leroy Maxey, Shorty Baker, Karl George, Joe Nanton, Barney Bigard and Ivy Anderson . . .
--- Support this podcast: https://podcasters.spotify.com/pod/show/john-clark49/support
Tiếng Anh
Hoa Kỳ
TRONG PHÂN ĐOẠN NÀY
BẢN CHÉP ÂM THANH 🔗
Are you the producer of this podcast?
Add a podcast transcript
Need Audio-to-Text?
Transcribe with Listen411 in Just 60 Seconds
TÌM KIẾM CÁC TẬP TRƯỚC
Tìm kiếm các tập trước của Jazz Focus.
CÁC TẬP KHÁC TRONG PODCAST NÀY
Practically forgotten but possibly the best US service band in WWII, it was initially led by Artie Shaw in the Pacific Theatre, but when Shaw went home it was taken over by tenor saxophonist Donahue and brought to England for the last few months of the war. These recordings feature this crack unit …
Influential band of white jazz musicians - many from New Orleans - active in Chicago in the early 1920's - Paul Mares (c), George Brunies (tbn), Leon Rappolo (clt), Jack Pettis (ts), Mel Stitzel and Elmer Schoebel (p), Lew Black (bjo), Steve Brown (sb), Frank Snyder and Ben Pollack (d). Premier ver…
Bruce Turner was a largely self-taught clarinet player who picked up alto sax in the navy during WWII. He became an in demand clarinetist in trad bands (Freddy Randall, Humphrey Lyttleton) but became even more valued for his swinging, Benny Carter styled alto playing. This podcasts presents him lea…
Decca recordings from 1939-40 of the eight piece Bob Cats Dixieland ensemble featuring the great clarinetist Fazola along with Eddie Miller on tenor, Warren Smith on trombone, Nappy Lamare on guitar, Bob Haggart on bass, Ray Bauduc on drums and either Joe Sullivan, Floyd Bean or Jess Stacy on piano…
Not to be confused with the more modern altoist of the same name, this John Handy was known as "Capt. John Handy" due to his no-nonsense nature in rehearsals, apparently. He was usually featured in a traditional, dixieland-New Orleans setting during the revivial period, but here are two very mainst…
Tuyên bố miễn trừ trách nhiệm: Podcast và tác phẩm nghệ thuật được nhúng trên trang này là của john clark, là tài sản của chủ sở hữu và không được liên kết hoặc xác nhận bởi Listen Notes, Inc.
CHỈNH SỬA
Cảm ơn bạn đã giúp cơ sở dữ liệu podcast luôn cập nhật.
