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Thomas Pitfield, born in Bolton in 1903 and whose life stretched to the very end of the 20th century – he died in 1999 – is one of those polymaths who embraced numerous different outlets: he was a composer, a poet, an illustrator, a calligrapher, a cabinet maker and a teacher. He is probably better known for the people he knew and taught – including John McCabe, John Ogdon and Ronald Stevenson – than in his own right. This new collection of songs is a good start to get to know a fine musical voice. James Jolly spoke, separately, to James Gilchrist and Nathan Williamson about this appealing composer.
This Gramophone Podcast is produced in association with Wigmore Hall.
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Tìm kiếm các tập trước của Gramophone Classical Music Podcast.
CÁC TẬP KHÁC TRONG PODCAST NÀY
In this week's episode of The Gramophone Listening Room, presented in partnership with dCS Audio, host Charlotte Gardner welcomes tenor Freddie De Tommaso and violinist Charlie Lovell-Jones to the studio to share two of their personal favourite recordings.
Freddie De Tommaso is a familia…
In the latest edition of the Gramophone Podcast, composer Joby Talbot and the conductor of vocal ensemble Conspirare Craig Hella Johnson join Editor Martin Cullingford to talk about their fascinating collaboration: a setting of Mexican poet Octavio Paz's epic work, Piedra de sol, newly released on …
Roxanna Panufnik talks to Editor Martin Cullingford about her fascinating and moving new album of Love Songs and Lullabies, released on the Signum label, as well as about her approach to composing and creativity more widely.
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Cellist Ben Michaels speaks to Hattie Butterworth about his new album on Delphian, 'for cello, by cellists'. Michaels speaks about commissioning cellist-composers, carving out a less typical career as a musician and the versatile identity of the cello.
See omnystudio.com/listener for privacy inform…
The conductor Philipp von Steinaecker and the Mahler Academy Orchestra recorded Mahler’s Ninth Symphony in 2024 for Alpha Classics using instruments contemporary with the composer and employing historically informed performance practices. The recording attracted much attention and engaged a l…
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