BU BÖLÜM HAKKINDA
Simone Brewster, a designer, artist and educator, as well as the subject of the second Platform exhibition at London's Design Museum, joins The Crit to discuss finding a wider purpose behind her varied work, her attraction to answering the same questions in different ways, and the importance of language and representation in design.
Simone's picks for her crit were:
Best design: Negress & Mammy
Worst design: Decorative plates for William Morris Gallery’s Althea McNish exhibition
Most successful design: Temple of Relics pavilion
Most impactful feedback: One of her architecture tutors saying that she needed to take herself seriously
Dream design: Serpentine Gallery pavilion
The Crit
Graphics: Leonhard Rothmoser
Music: Yuri Suzuki and Team Suzuki
This episode of The Crit was recorded at KEF Music Gallery, London
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