BU BÖLÜM HAKKINDA
Comet Falls is on the south side of Tahoma (Mount Rainier) offering a nice four mile roundtrip hike, perfect for a day when the mountain is socked-in. It’s one of the most impressive falls that I’ve hiked to, dropping about 320 feet (98 m) in a vertical plunge from a hanging valley into a pretty subalpine canyon.
I’ve mentioned this before, but I think waterfalls rarely translate the way you’d hope they would in sound. They’re so dazzling to look at, and it’s exhilarating to feel the rush of wind and spray near the bottom, but not all that interesting to listen to, it turns out. They kind of sound like FM radio static: Shhh. Most of them anyway. And alas, Comet Falls is no remarkable exception on that score.
And so it goes most any waterfall may be more sonogenic when captured in a soundwalk format, as this captures a dimensionality that isn’t conveyed in a fixed point recording.
The hike to Comet Falls follows Van Trump Creek through the canopy and along hillside openings with talus slopes, where you might find Pika (sounding a high-pitched peep). The wildlife was subdued under the grey sky on this day. Varied Thrush, Dark-eyed Junco, and Pacific Wren can be heard to the attentive listener in headphones, but this is mostly a water soundwalk. Our journey takes us to the waterfall viewpoint and follows a return path for a couple minutes.
Another thing about waterfall sound: unless you get really close (like next to water splattering on rocks) it’s difficult to discern when you are “there”.
This is another composition where I’m keeping to the low octaves of a particularly sonorous electric piano. (It would not sound good on a phone speaker.) I do this to preserve listening space for all the water and wildlife frequencies, and also because I just like the dark (as opposed to bright) vibe for this one.
I’ve always thought that a waterfall walk would make an interesting canvas for a super-minimal synth score for droning synth pads and very slowly morphing pitches and timbres, mirroring the manifold sound of the waterfall’s creek outlet. This is not that, exactly. Though it occasionally goes there, it’s more melodic and approachable. Written in a D minor, the composition evokes the cloudy sky and the slow climb through the valley. The harmonics are ponderous, peppered as they are with sustained second chords, and textured with organ washes and soft, flutey synth pads.
Thanks for reading and listening. Comet Falls Soundwalk is available on all music streaming services tomorrow April 10th, 2026.
