BU BÖLÜM HAKKINDA
In episode #29 I speak with multidisciplinary artist Ava Aviva Avnisan about their film, installation, music and performance work. We begin by talking about Aviva’s young childhood in Jerusalem as the descendant of Iraqi, Iranian and Eastern European Jews, and she traces the influence of her father, a professional photographer, on her own development as an artist. We discuss a collaboration we did with the poet Amaranth Borsuk many years ago, even without knowing each other (Real Life: An Installation). We get into the technology Aviva uses in much of her work, lidar scanning, and how it helps her create “a visual vocabulary of haunting.” Digging into two of Aviva’s recent projects, “Among Relatives: Indigenous Voices in the Cuyahoga Valley” (with Leila Khoury), an immersive audio visual installation, and “Specters of Home: Prologue” (with Doug Rosman) a ten-minute film, we discuss the legacy of settler-colonialism in Israel-Palestine and North America, the gender binary, and the very painful ways in which contemporary politics tear families apart. Aviva talks about her own struggles with members of her family who are unable to accept her gender transition or her anti-Zionism. She speaks throughout about her spiritual development and her gender transition, and how these transformations have changed her work and its motivations, opening and softening toward greater compassion and receptivity. We end with a short dip into the collaborative project Nobo’s Muse, a two-person art-pop band with Judd Morrissey, and we listen to one of their (fantastic) songs, as we disappear into the divine/work.
Other artists, writers and projects mentioned:
Karen River Barad, Meeting the Universe Halfway: Quantum Physics and the Entanglement of Matter and Meaning
TransMaterialities: Trans*/Matter/Realities and Queer Political Imaginings
What Flashes Up: Theological-Political-Scientific Fragments
Walter Benjamin, “On the Concept of History” (Theses on History)
Jacques Derrida, Specters of Marx: The State of the Debt, the Work of Mourning and the New International
Chris Marker, Sans Soleil
Kelly Reichardt, Certain Women
Ava Aviva Avnisan (she/they) is a multidisciplinary, research-based artist whose work integrates installation, performance, film, writing, sound, and emerging technologies to create embodied, time-based encounters. Working with tools such as 3D scanning, augmented and virtual reality, and generative AI, Ava’s practice explores how language, technology, and lived experience shape meaning and memory.
Recent highlights include the international festival circulation of Specters of Home—Prologue, a short film selected for the 10th Beyond Borders | Kastellorizo International Documentary Festival in Greece and screened at the 8th Independent Film Festival of Mexico City as part of the CINE X MUJERES program. In 2025, Ava also presented new work created in collaboration with Judd Morrissey at SAIC Galleries in Chicago, debuting a large-scale, site-specific installation that expanded her practice into recorded music alongside photography, poetry, and 3D imaging.
Ava is an Assistant Professor of Art and Design at San Diego State University, with a co-appointment in the School of Journalism and Media Studies.
