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Hello and welcome to REEL OBSCURE!This week I'm taking a look at the much-loved kids' fantasy movie THE BEASTMASTER, where I discover that maybe this movie isn't as child-friendly as parents believed...As ever please remember to Like, Share, Comment and Subscribe. And to learn more about the show please visit reelobscurepod.com. The Monster Dub and Fur Manfred Und Sigi created using Udio.
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BU PODCAST'IN DİĞER BÖLÜMLERİ
Hello and welcome to REEL OBSCURE!Tonight we're going to the mall, dudes and dudettes! It'll be radical and totally tubular! Wait, what's that? Robotic security, bad comedy and terrible 80s dialog? What's not to love?NOTE: There were some issues with this recording which I discovered after the uplo…
Hello and welcome to REEL OBSCURE!
This week's movie features a tale of rogue science, bone-sucking monsters and Peter Cushing having a whale of a time.
1966's ''Island of Terror'' is something of a rarity, being only one of six or seven - STOP IT - movies from Planet Film Productions. But it's a …
Hello and welcome to REEL OBSCURE!This week I'm taking a look at John Carpenter's The Fog (to give it its full title), a ghastly ghost story featuring a horrific history that comes back to haunt the residents of a small coastal town. This classic tale of undead vengeance and haunting visuals is sur…
Hello and welcome to REEL OBSCURE!In a semi-festive episode, I take a look at BLOOD TRACKS, a Swedish slasher/survival horror movie set in the snowy mountains, where a glam rock band decide to shoot ONE SCENE for their latest music video - a decision they soon come to regret.
With drunken Swedes, l…
In tonight's episode I'll be discussing THE RETURN OF THE LIVING DEAD, Dan O'Bannon's ''side sequel'' to the classic NIGHT OF THE LIVING DEAD, given a punk-rock comedy update for modern audiences. Come with me as I discuss the movie's origin, how the casting came about and share behind-the-scenes f…
Feragatname: Bu sayfaya yerleştirilmiş podcast ve sanat eserleri, sahibinin mülkiyetinde olan ve Listen Notes, Inc.'e bağlı olmayan veya tarafından onaylanmayan Kevin H. Shaw'e aittir.
DÜZENLE
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