BU BÖLÜM HAKKINDA
Inspired by some recent social media discourse, Mickey-Jo has been thinking about whether audience members have the right to expect perfection from stage performers.
Recent performances have come under intense scrutiny due to the propagation of bootleg recordings, but the truth is that onstage mishaps and mistakes are nothing new.
From Angela Lansbury in Sweeney Todd to Billy Porter in Cabaret, Mickey-Jo is taking a look at some documented imperfect performances in order to ascertain which we critique more heavily, and under what circumstances it's truly fair to do so...
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00:00 | introduction 02:50 | what is this about? 09:38 | who makes mistakes? 16:57 | what's the problem? 24:16 | conclusion
About Mickey-Jo:
As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: MickeyJoTheatre is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 95,000 subscribers. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows in New York, London, Edinburgh, Hamburg, Toronto, Sao Pãolo, and Paris. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK, Musicals Magazine and LondonTheatre.co.uk. Instagram/TikTok/X: @MickeyJoTheatre
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