BU BÖLÜM HAKKINDA
This is part 2 of my recording with the fabulous Josh Berry and legendary Alistair McGowan. We discuss the risks involved in doing impressions of the actual people when they’re in the same room, the difference between impressions and impersonations, why some voices just appear while others take years to learn, and doing impressions just for our own amusement. Three great sketches with voices that include the Repair Shop crew, Jimmy Carr, Daniel Radcliffe, Jose Mourinho, David Mitchell plus many more – like Prince Harry, Gary Barlow and Hugh Grant – thrown in. Enjoy.
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Amerika Birleşik Devletleri
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SON BÖLÜMLERİ ARA
Making An Impression için geçmiş bölümleri ara.
BU PODCAST'IN DİĞER BÖLÜMLERİ
A new voice - indeed, several voices – we haven’t heard on the show before, courtesy of the brilliant Francine Lewis. She’s joined by the equally brilliant Danny Posthill. We had to overcome some technical difficulties, so the sound quality isn’t as good as it normally is. Apologies for that. Fran…
This is part 2 of the show I recorded with the insanely brilliant Rory Bremner and Kate O’Sullivan. We discuss how musicality is so often part of the impressionist’s armoury, I talk about doing Billy Connolly in a toilet - as it were - we contrast acting with doing impressions and we cover the impo…
Part 2 of my recording with the amazing Irish impressionist Al Foran and voice acting superstar Kate Harbour. We discuss bad Irish accents and dare Kate to try hers out on Al, we delve into the contained fury of Roy Keane, investigate the wrong voice in the wrong place technique and decide it’s hig…
The brilliant Alistair McGowan and Hannah East join us for the first part of this pod. We livestreamed the entire show to YouTube and Facebook and had a lot of fun doing so. It should still be available on the Making An Impression YouTube channel. In this podcast, Hannah explains how she tells her …
Feragatname: Bu sayfaya yerleştirilmiş podcast ve sanat eserleri, sahibinin mülkiyetinde olan ve Listen Notes, Inc.'e bağlı olmayan veya tarafından onaylanmayan Simon Lipson'e aittir.
DÜZENLE
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