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Hello and welcome to the Label Sessions Presents Podcast.
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Label Sessions is the world's leading innovation expert network.
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In this series you will meet some of the most interesting leaders anywhere, from across the
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world's business, design, tech, culture and sustainability.
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All signed to the Label Sessions roster.
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To find out more about our work, helping brands and institutions around the world take on
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their big challenges for the future, head to LabelSessions.com to find out more.
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For now, enjoy the podcast.
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We are thrilled to have you join us Robin.
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Thank you so much for joining the Label Sessions Presents Podcast.
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So, could you introduce yourself to our audience and maybe kind of a share what you're named
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for?
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I'm a strategist and I'm going to use that word with this like pause because we like
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it in the sense that like it's part of a matter.
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Could you end up in this debate between strategy and creativity?
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And there's like almost these are two different things but in reality I kind of think strategy
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is a creative discipline.
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I kind of have always been somebody who's going to put those two things together.
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But I think there's certain people like to kind of create those caps.
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So for me the simplest way to describe it sometimes is strategy.
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But in truth, like where I sort of articulate is like I'm a curious person who sort of
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tried to build a career helping businesses or business leaders to kind of take on some
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of the kind of biggest challenges that they've got today and really sort of find new growth
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and new opportunities for growth.
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You know, brackets make more money, I suppose would be another half of the kind of sentence
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through that kind of brand strategy, marketing activities and kind of bringing together those
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two worlds of strategy and creativity to kind of find the thing that I find to do the most
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of is bring those two bits together to connect business ideas and customers to something
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I guess about being true with what I've been in the kind of tech space, in the kind of
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marketing space or in the kind of leadership space as well.
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I think the one thread that I've probably got to in the recent years of this sort of
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new client I guess, is all the things I've been to do.
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I think that's a really interesting way of looking at things with strategy and creativity.
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I'm curious about your perspective with your kind of experience with kind of innovation
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and growth with companies.
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Product can often sit with like a tech team and brand strategy can sit with say like a
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marketing team.
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It's not always that way, but it often is.
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Can you maybe kind of just talk to us a bit around these worlds of product and brand strategy?
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What it means for you being at that kind of intersection?
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I'm going to force myself to be at that intersection because you're right, most organisations are
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structured in different ways, but they do tend to have those two things separate and
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there's always reasons for it, right?
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Because to your point, the product, the thing that you're building on often is, you know,
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the sort of a line that's kind of tech and operation part of this is brand in that sense.
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It depends on the organisation's thinking about brand versus brand and marketing since
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within the marketing function.
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And like most organisations just aren't very good at kind of joining, never mind these
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two things are the rest of the stuff.
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So you do end up in this place where these two things are separate.
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And I think the reason why I find that, and I'm really finding an example of where it's
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working well, I should have brought some extra trash.
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Some of the examples, I think back to something where we did, we're fortune money actually,
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the way we thought about brand and product and actually having those two things quite
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closely aligned, I think, whether it's incredibly successful, they did over the last five, six,
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seven years.
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But the issue sometimes for these two separate worlds is like, you know, brand is very, very
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good understanding of what an organisation is, why it exists, what its purpose is.
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But that doesn't always then translate into the things that that business data goes and
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does, right?
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Might be how it talks about itself, how it communicates, how it markets, and yes, what
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it values, you know, like, but that doesn't necessarily always translate directly into
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the product and the experience that it delivers.
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I think the value that you get is when you manage to join these two things up and you've
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got a product team that often understands the customer that it's trying to create, or
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they're increasing with the floor, and the business in which it's in, why that business
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exists, and you can build products that genuinely deliver most of the business and the customer.
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And you find that actually, by having a deeper understanding of the brand and what an organisation
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you create deeper ideas and better ideas and things that people then take to market.
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But those two worlds don't tend to be in sync very often.
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I think quite often it's just okay making opportunity for them actually to kind of come
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together, right?
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Bringing brand teams involved into your product design and having a product teams, adding
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a deeper understanding on the business stand for us about why it exists.
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And that's also kind of brand and the business strategy side of it.
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You mentioned like Virgin Money, who you think has done, brought in kind of a brand and product
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really well together because the brand really feels like this skeleton that holds a lot
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of things together and kind of drives the organisation.
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It was really hard for people to, if they think about brand, excuse me, in like a non-traditional
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way, to hire for that.
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Because when people think about like brand managers and brand leaders, it must be really
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hard to like hire for, I guess, you know, a new way of doing brand, a new way of approaching
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it.
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Yeah, and I don't know whether I'm sort of projecting and just trying to create this
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new world that I think is actually quite interesting, right?
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Because you're right, most people like in a brand space will come for a communication,
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sort of a pure brand, not necessary to making a product design for an innovation, a customer
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bit.
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But I think that's, I don't know, I don't think, I generally think that's where there's
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value, right?
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And I think a lot of the, because we will find there's a lot of, you know, brand strategies
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that are a bit of a brand, you can see, what they're very, very good at is uncovering a
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really interesting thing, whether that's an insight or a truth about a market or a customer
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base or a product, whatever it is, right?
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They're very good at finding that and it creatively creates something more often than
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communicate, right?
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Well, they're not very good at this, they're turning that into something really like a
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product to an experience.
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What product teams are very, very good at is taking your customer need and turning that
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into a functional thing that, you know, a customer may or may not want, but what they're not
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necessarily very good at or very well tuned into is connecting that product back into
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something bigger, right?
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Whether that's something bigger is the organization, in a kind of non-commercial sense, or into
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something bigger, a culture and society that gives it bigger meaning around the brand.
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And they find somebody or teams like any of you who can cut across those bits and kind
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of bring something like a brand thinking into product design, and like a product design
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thinking to get a brand.
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And I think, yeah, they're pretty products that sort of both land in market very effectively,
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but to the last as well, actually could be steep.
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What I hear and what I take from that is really this about kind of a transcending like conventional
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boundaries.
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And I think your focus and interest is kind of a connecting kind of ideas, culture and
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people in this kind of a, what is actually a really probably a dynamic working existence
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for people in big brands?
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I had this idea, sort of the analogy of like sometimes you're treated like chapters in
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a book, right?
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Like there's a star in the middle of the day, you do the kind of brand bit, the strategy
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bit, product bit, experience bit, no acting bit, right?
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But in reality, they're all just characters in the same story.
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And actually they all kind of need to connect together and weave together.
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And the interesting stuff happens at the intersect, I think, of all of these things, right?
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And product design, product and design brand.
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So I think if you can find the space between, that's what I think interesting stuff takes
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to happen.
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But more, yeah, it does take both cultural shifts, right?
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In terms of how an organization thinks about itself.
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There's a practical function of things in terms of how an organization structures itself
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to allow that things to happen.
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Right?
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We need to like, ownership and C-suite, then to have teams of structure and the ways in
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which an organization lacks itself, kind of like, yeah, live in that kind of slight
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chaotic dynamic space, allow these teams of people to interact more readily.
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And it does currently, most businesses, for good reasons, have structure and that structure
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is valuable.
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But I think sometimes we can give it a little structure a little bit.
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I wanted to ask you if there were industry practices you saw that like, needed to change?
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I don't know the specific practices, like, well, I do that.
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I think it's a general principle, like embracing a bit more chaos, I think, because you've lost
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that belief in.
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And there's a new answer around size of scale and the bigger you get, the slight, you do
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need to have some sense of structure to launch for the thing to keep moving forward.
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Right?
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And I mean, the simplest thing it comes down to is like, it's an old Barack Obama quote,
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I think, which was kind of like, yeah, we're still done when we start caring against the
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credit.
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And I think there's a little bit in that, right?
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Whether your organization or agency working with a client or whatever, if we can just
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worry a bit more about what it is we're trying to do and a little bit like, who's doing it?
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Right?
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And like, you know, then I think we actually, we do get more stuff done.
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Right?
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And so, we might be a philosophical cultural change that we need to kind of make some of
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that might just be then down to being a little bit, a little bit less restrictive on the
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command roles, responsibilities of people's and teams and kind of playing to can skills
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and experience and kind of combined skills and experience, such like how we, how we great
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team, let me, at a base level, like cross functional team, we told them a long time,
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those are great.
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Those are really good ways to, but quite often you find they're very orchestrated and somebody
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still needs to be sat at the top of the pyramid.
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And like then, you were sat at the top of the pyramid, tensed to have some set of an
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agency in life, it's one part of the organization, you sort of lose, you lose so the value of
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that chaos.
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And I think it comes out to trust and culture at its base level, so tools and then, yeah,
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just thinking more about what is it we're trying to collectively do, the job title
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that I've currently got on or the part of the organization that I sit in.
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And that does get harder, the harder you get up because, you know, at some point there's
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a performance metric, so as a symmetric criteria, somebody's going to be evaluated on.
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And I think changing some of that might actually be quite helpful, like being able to free
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your instance of how we evaluate success, particularly senior levels, might allow things
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to kind of cascade down and give teams and into a just more autonomy and freedom, to
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kind of step aside the box, right, and step across and look across the organization and
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go make friends with the person that designed team, if you're, you know, even think that
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product design team sometimes sit incredibly separate from each other, they're fundamentally
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part, they're same part of the business, looking at same as a marketing set and probably all
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of these things just need to be better and more comfortable sitting together and more
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biased and move whether that's through structure, process, performance metrics, better in my
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mind, if you've got a common, you know, the thing you do need to do is a common framework,
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right, and by that I sort of mean broad strategy, brand, I think there's been actually the
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kind of guardrails, it means we're all heading, you know, the bump, the bump, the analogy
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of the ball, we're all heading in the right direction, we can bounce off it, you know,
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we're all going to be completely heading off in different directions. We have that, kind
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of what happens in the middle, I think we can leave to a little bit of luck and certain
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liberties sometimes.
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Let me ask you this, you're someone that's navigated a lot of corporate environments
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and the corporate landscape you've worked within that, but also you've kind of stayed
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rooted in creativity in different ways, both in your working life, but also I know you're
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an incredible photographer and you're really passionate about photography and making and
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the craft of photography and I guess the craft of creativity in a way. And I think some,
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and I think I just want to like take a minute and talk about those two worlds because then
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I think you very comfortably inhabit both of them.
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Yeah, I mean, it's been, I mean, a late, late realization, but for the first year, I think
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it was the first part of my career, I probably was very corporate, I sort of lived on that,
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I sort of grew up, grew up in the kind of big consultancy, right, I had a sense here
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and started spending a big chunk of time there and was on that corporate career ladder. And
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it's probably recently, I mean, we moved to a small agency, I got back in big consultancy
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through acquisition and then kind of working to work at a tech, scalar agency place again.
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And I probably even have a back of that, that I kind of look at the common thread that has
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always been back in it, I'm creative in what I, in what I'm doing is a deep tech strategy,
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right? I'm not a tech person at all. Like, weirdly, the idea of this today, why is all
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mechanical so get right because I kind of like all the fancy new stuff scares me, right?
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So give me something I can why, right? I like or why, right? Well, why it was also to, so
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let me do the synthesis of technology. And the thing that's been true through all of that
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is like the thing that I can held on to is like, like, creative new ideas, right? So you can do
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like, you know, deep tech, the thing I was trying to find was like, what's the most interesting
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idea that's going to make this new platform relevant to somebody. But it's only, whether it's
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only ever been the fortune of old age, right? I'm going to kind of look back and kind of
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see that that's the thing that I've inadvertently held on to is the bit that I can, I'm like,
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well, actually, that's the bit that I can't, I'm really interested in how do you bring, you know,
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creativity as a kind of, as a way to transform large corporate organizations, I think there's
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like, is so much of that already in place within these places, I guess, just how do you put it
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on the market and find it, I guess, right? So the bit of like self learning in that in the sense
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that I've kind of figured out the bit that I care most about. And like, I've been sort of
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lucky in a lot of ways, I've been afforded the opportunity to kind of be that person, I suppose,
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in the projects and the organizations that I've been in, you get inside, you know, big consultancy,
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and small agency. So I don't know, I think it's just, you know, there's a little bit of self
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reflection at the class, but while that, you know, I've become really happy, right, it comes to
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the point, the sort of thing that I can bring and for the past, those, the, the, the, the, the,
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yeah, and they've afforded me that opportunity to, to play that role as a coach, right?
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And, you know, and it's only adding back to some of the projects that we've been involved in. One
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of the things I can get most joy at, it's when you find those, because I think there's a general
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idea about creativity, right? Or creative, I want a lot of creative, right? I mean, I, like, all
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right, I think everybody's creative. I think that's the general starting point. I think some
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people just learn to hold on to it for longer, right? The systems and the environments that
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were in almost designed to be creativity. I've said a lot of things, right? Whereas like,
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some of us either just learn to kind of hold on to it all over, or a little bit more belligerent,
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so let them let it go. I don't know which one it is, right? Like, I can't sing, I can't play any
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musical instruments, I can't draw. So it might form a creativity that works in a long way, right?
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Our vision through photography, you know, in the truest sense, like, I'm not a creative person,
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but I think, you know, the act of having ideas is creative, and I think the strategies that show
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having ideas that, you know, win. So that's, that's, you know, why I can blend those two worlds
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together, right?
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You said something really interesting to me around the, the, I guess your practice. So you like
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final and, I guess, analog cameras, their antithesis of, of, you know, new tech, you know,
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but I guess photography development. What do you, what do you do to photography? What do you
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like about photography?
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I mean, the classic and other thing is that it is my way of exploring, exploring my curious,
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like making sense of stuff, right? Because it forces you, or forces me to get out,
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out, out from behind this little desk and wander outside and go, right? And I think
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photography is about finding stuff, right? That might be beautiful landscape. I started off
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in landscape, but I actually did much more, kind of like street or good documentary type
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stuff, like capturing life, I think, even just around the house, like taking pictures of the
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boys and stuff, and I kind of just like capturing moments, I think, right? So it forces you to
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go out and look, that's the first thing. And like, I enjoy that because it's like, I'm not
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somebody who really sits, read lots of books, right? And like, if I would go into the world,
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I'm just called wander, and I'll take pictures of something. And like, it's not really the act
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of taking pictures that I enjoy as much, though, and that's a massive, it's a massive part of it,
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but it's about just getting out there and see it and finding it looking. And it makes you look
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closer at stuff. So you start to look at things, you're taking pictures of a building, look at
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how that building's constructed, how the window frames are made, like tiny little bits of detail
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that you would, like some might be an interesting picture, but that you'd never see if you didn't
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do that, right? You just be wandering. And I just think there's an element of that that I just,
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like I kind of need in my life, I need to kind of escape from screen and just get out into the
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world a little bit, and just look at stuff. When you look at stuff, you see things you
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don't necessarily see. And that's where you can let, you make good work in that, I think,
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when you sort of train yourself to look at things in a different way. And I think we can apply that
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by stretching creativity as well. Like, yeah, for those reasons, I'm getting out, seeing the world,
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maybe coming back to something that might look good in the wall eventually.
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Thinking about like strategy for a bit. So you've talked about what strategy means to you being,
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like it's about the business of ideas. It's about what's next. It's about kind of connecting the
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dots. What's the impact you've seen when a business doesn't have a clear strategy?
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So it's so much time and strategy. We've so much time and money on it. But really, it can be one of
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the most simplest things. It's like, we over complicated, I think, in a lot of ways. But you
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do need something. You need some sort of framework. You can decide how lucrative you want that to be.
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And I think that you're allowed to be the clear of the idea. It needs to be in itself,
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right? So you need some sort of core through which you're looking at everything. And then,
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yeah, it's not to happen in the middle of that. And so we continue. You can let happen. And I think
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that that's the chaos, right? When you haven't got some sense of direction or framework or purpose
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or reason and intensity for what you're trying to do, that's the thing that go chaotically.
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They're all there. Because there's no sense of community. There's no thread. Like, you think
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about that. I don't remind, you know, you could have a strategy that thread runs through everything.
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And things could be flailing off for any of the sides. But we haven't got that thread that pulls
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everything together, which is something you just pull the string and everything times up.
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You haven't got that. Everything goes everywhere. And that's when, you know,
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that's when the lack of strategy is obvious, right? So just leaning onto that for a minute,
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like, I'm just quite interested in this kind of a bridging the gap from strategy, from thinking
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to doing, and that kind of a seesaw, the back and forth as you kind of progress a concept from
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strategy into like realizing its ambition and the chaos that goes along with it.
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You can just that language of like, because I think there's a slight fallacy that something
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will fall into, which is like, there's a period of thinking, and then there's a period of doing,
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right? You don't necessarily think that's true. I think. But one of the big things people want
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this idea of what we have the strategy, or whatever vision strategy plan, right, these
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different words, that's it. Let's go. We must be right. I think the truth is the first thing
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advice like, well, never advice have a piece, right? That's the other thing I'll say. It's not
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necessarily a piece of advice. The strategy won't be wrong. Right. And that's okay. But I think too
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often people think about the right strategy can be one. What you need to do is like have a way in
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which you start to execute on the belief for the bet, the idea that you have, and then being able to
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change it, iterate on it, explore different avenues, be consciously in tune with what's
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happening in the business of the market that allows you to adapt to us too often. Like,
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is this sort of another terrible analogy of like a survey yacht race where all the yachts
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select swimming around at the beginning and somebody goes, whistle and it goes, right?
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The reality like that's the strategic fate of chaos and thinking and all of a sudden we're
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off and running in the programs and play and everything's going to be fine now. But in reality,
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that's just not how the world works. You look at the chaos that's going on in the world, like,
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you know, we can't, we can't define a plan for the next six months, the next four years,
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it's going to be action. But we have to find a way to play some bets, right? And those bets are
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sort of an informed opinions or ideas about how we're going to win, right? And what our market
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or industry rivers are trying to do. And they need a way of being able to click constantly,
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to check back on whether those things, those things that we're doing are working or not,
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and then adjust, right? And then the look, the old saying says, the vision stays the same,
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strategy changes, particularly, right, which I think is still true. Like, the core belief that
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thread is more like a brand, well, that's being a core purpose. That's where we're going. That's
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that's what we're trying to be. That's who we aspire to be, we aspire to achieve. How we get there,
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the strategy, the plan, the tactics change. And I think that we can iterate back on that and
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redirect and pivot to you so that we're well-coined for issues is the important. And that's why the
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sector is a brand important to so important because we can define this vision, this future,
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send, you know, product design teams off for three years to go and create it and realize it by the
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time we build to the world shifted six months after. Right. And I think that that in things to
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world that cycle is a brand important. Hearing what you've just said, it sounds like that idea of,
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like, I guess, being in the moment and seeing things. What I'm hearing when you're talking
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about strategies is actually it's not about this big overarching goal North Star that's really hard
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to get to slash you're actually never going to get there. It's about having a direction and then
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this more iterative process of redefining your strategy constantly. So seeing what's actually
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going on and being in the moment and making kind of a decisions. And it makes me think,
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what's the role of the strategist then? Now, well, we'll come on, maybe come on,
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talk in a minute. But I think those two things you talked about are still important. I think you need
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you need that kind of end goal, flying in the ground, right? But for me, that is, that's where
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brand that's been a brand place of all right. That's in terms of what this organization is about,
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what we started for also purpose, achieve both with a brand and a business perspective as well.
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The strategy or more likely strategies that we have are the things that we will
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go after in order to get there. Right. So I think that's what all two things are connected,
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but this could end to the same type of that. The big thing, the North Star, I mean, that's
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what I'm getting, not like a quick coin phrase stays, particularly true, right? The strategy
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is the bit that changes. I think so much about these are the, what's the role of the strategist?
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You get a why don't we use that term to describe myself on the way to sort of use a way, fight
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somewhere particularly, because I think a lot of strategy today is really about planning, right?
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It's about the, it's the mapping of that for me to be, which is, you know,
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but I think that's quite a simplistic view of how the wall actually is, which is about
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constantly looking at where we're going, looking at the way which we get there across the whole
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organization, not just, you know, to one length, but a bit more design and constantly adjusting
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the organization, not just the strategy for how we get there. And I think that's why
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I've always got to be weird or interesting, let's say, where strategy is a department that
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sits off over here, rather than a still set, I think that we used to cut across.
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Right, because we need, we need everybody aligned across that kind of common idea.
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We need some people who are kind of looking across the business and across a kind of market base,
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whatever it is, to constantly be checking back and forth as to whether the direction of this
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organization is going is the right one relative to our objectives and competitors, and then adjusting
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everything that that business is doing to get there. But that doesn't mean you need to put
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a whole new strategic planning exercise for the exact team to kind of revalue everything.
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You need to build those sort of strategic disciplines down into your organization as much as possible
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as well, so that everybody is then starting to think, you know, has a clear view of who we're going,
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understands their role and how they can achieve it, and is checking back and against that strategy,
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the market, they're understanding they're part of the organization, how they change,
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and how you need to adapt and evolve their execution of it. And that just like,
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organization or strategy down in terms of business, I think it's important to say,
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but as a general principle, like, the organization, kind of autonomy, I think,
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but I can also write to think business is going to work in that, in that sort of way,
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I think it becomes currently part of it. And I think a really exciting place to be for strategists
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who are able to work in organizations like that, that enable them, because it's such a powerful role.
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I look, yeah, I make a little bit, I mean, again, maybe this is maybe something that we might cut
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out depending on how many people we affect. But like, I'm a good strategist, strategist,
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a little bit like politicians, the career politicians, where if all you've ever done
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has been a politician, right, it's kind of hard then to run the trains, wherever, right.
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If you've driven the training for a while, you sort of understand how to run the network
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of the routes potentially. So there's a similar analogy in terms of, I think so,
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they can invest strategists, so people who've kind of been in that, I'm not, I'm not really
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putting myself in any of this gap, right, but like, the people who could have understood
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to do that, are the people who've kind of been in the different parts of the organization,
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and understand how it works, because they need to cut across it in a way that is going to be
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meaningful and more relevant to the teams and the people and the part of the business that you are
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ultimately affecting. I think when strategy is stuck in a box, up here, off to the right-hand side,
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I think that's when it, it, it, it, it starts to go wrong, because it's sort of,
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it's done in an action and avoiding any, you know, in the same way that we build products,
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we go customer, we've been customers and, and start the market, I think we're designing,
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you know, past organizations and strategies, we need to build an insight that this is not
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set for the problem. Okay, Robin, it's time for the quick fire round. We're going to switch things up.
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If animals could talk, which species do you think would be the rudest?
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The rudest animal, wombat. Yeah.
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God, why did I find that so funny? And what makes someone a good traveling companion?
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Snacks. In another life, what would your career be?
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I would love to still be an artist, in a proper sense of the word.
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What was the first work thing you were really proud of?
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Depends upon, I mean, I did put together a pretty killer business case when I was about seven,
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like, why we should build an artery in the back garden and I should therefore be allowed to keep
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falcons as a pet. I was, I was, it was pretty detailed. I was quite impressed, I'm quite impressed with that.
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In terms of proper work, I still go back, I still go back to the work we did, you know,
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Clive Still Banking, Virgin Wany and the space that we built in Manchester, in terms of how you
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could have revolutionized high street banking in the UK and kind of build a retail space that
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sort of was up, sort of, you know, acting in the world, was a bank. I love that project for so
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many different reasons, never mind the kind of people that we were working with for it on it.
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And just seeing, it's something different about being able to walk down like a street and like,
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never mind seeing a kind of doorboard with an add-on, seeing a physical three-story building
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and then being able to kind of tie up, you know, with the original pencil sketches up on my wall,
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which just off camera, I'll be able to kind of look at them and see a space and then see people
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in that space kind of like living out the thing that was sort of conceptual space months, years ago,
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in a little room in Nice. I think I'll always look back at that and just be quite happy. Amazing.
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Could you please describe your taste in interior design? Nordic,
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chaotic. In case you're into design, haphazard, probably, and I like Woodman Chic.
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I've never had that phrase Woodman Chic, but I like it, I'm going to use it. Do you have a go-to
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meal that you kind of are cooking the kitchen for the family or yourself or anyone?
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Everything pasta related. I love making pasta. Again, it's the old mechanical
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handling of making pasta from scratch, right? It's quite a tactile experience. I love making pasta.
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What's the best piece of advice you've ever been given?
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I think actually it's been a bit of advice that I heard three years ago. Before, after,
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I was in a transition period to my last job in the store, and I was sort of going through a
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not quite sure what it was I actually wanted to do, whether I was doing that.
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It's an excellent question, but you can go, am I actually enjoying the thing that I'm doing?
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I'm in the right place, right? Somebody said to me, ask yourself three questions.
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Are you having fun? That's a great first question to ask yourself in any sort of job.
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Are you enjoying your ex? You're really here for a short time. Are you enjoying the stuff
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that we're doing that's sort of lost the point? Are you having fun?
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Am I learning something new or interesting? It's a great reason for why we should be somewhere.
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If we're not learning something, if we're not growing and developing, then
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ask yourself a question. Or am I making things better? And I know every time I'll ask myself,
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I'll always ask myself those three questions. The only thing I'm going to go do,
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whether it's job or life to be fair, actually, and if I can answer yes,
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the two of them that I think are resetting and reframing it, because clearly,
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something's not right. So those three questions, I think are actually,
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I helped me in a nice way at just evaluating whether the thing that I'm involved in is the right thing.
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Last question that we need to ask everybody. On a scale of one to 10,
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Robin Vedd, how weird are you? I mean, I think we're all weird. And I think weird is this
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relative scale, right, in the sense of like, we're all weird to a video. And I think that's okay.
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I think we should embrace our weirdness a little bit more, right?
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At the point that the systems in the world are designed to make us less weird. And I think we
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need to fight back. So that's a 10. Thank you, Robin Vedd. That was awesome. Thank you so much
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for joining us today. As we close out another episode, make sure to like, subscribe, and follow
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us on our social channels. Want to access label sessions for your brand? Whether you want to
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build new products, access world-class mentors for your team, or reinvent the way you attract
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talent into your business, visit label sessions to find out more.
00:00:00,000 --> 00:00:09,960
Hello and welcome to the Label Sessions Presents Podcast.
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Label Sessions is the world's leading innovation expert network.
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In this series you will meet some of the most interesting leaders anywhere, from across the
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world's business, design, tech, culture and sustainability.
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All signed to the Label Sessions roster.
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To find out more about our work, helping brands and institutions around the world take on
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their big challenges for the future, head to LabelSessions.com to find out more.
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For now, enjoy the podcast.
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We are thrilled to have you join us Robin.
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Thank you so much for joining the Label Sessions Presents Podcast.
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So, could you introduce yourself to our audience and maybe kind of a share what you're named
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for?
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I'm a strategist and I'm going to use that word with this like pause because we like
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it in the sense that like it's part of a matter.
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Could you end up in this debate between strategy and creativity?
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And there's like almost these are two different things but in reality I kind of think strategy
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is a creative discipline.
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I kind of have always been somebody who's going to put those two things together.
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But I think there's certain people like to kind of create those caps.
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So for me the simplest way to describe it sometimes is strategy.
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But in truth, like where I sort of articulate is like I'm a curious person who sort of
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tried to build a career helping businesses or business leaders to kind of take on some
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of the kind of biggest challenges that they've got today and really sort of find new growth
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and new opportunities for growth.
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You know, brackets make more money, I suppose would be another half of the kind of sentence
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through that kind of brand strategy, marketing activities and kind of bringing together those
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two worlds of strategy and creativity to kind of find the thing that I find to do the most
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of is bring those two bits together to connect business ideas and customers to something
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I guess about being true with what I've been in the kind of tech space, in the kind of
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marketing space or in the kind of leadership space as well.
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I think the one thread that I've probably got to in the recent years of this sort of
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new client I guess, is all the things I've been to do.
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I think that's a really interesting way of looking at things with strategy and creativity.
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I'm curious about your perspective with your kind of experience with kind of innovation
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and growth with companies.
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Product can often sit with like a tech team and brand strategy can sit with say like a
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marketing team.
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It's not always that way, but it often is.
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Can you maybe kind of just talk to us a bit around these worlds of product and brand strategy?
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What it means for you being at that kind of intersection?
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I'm going to force myself to be at that intersection because you're right, most organisations are
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structured in different ways, but they do tend to have those two things separate and
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there's always reasons for it, right?
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Because to your point, the product, the thing that you're building on often is, you know,
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the sort of a line that's kind of tech and operation part of this is brand in that sense.
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It depends on the organisation's thinking about brand versus brand and marketing since
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within the marketing function.
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And like most organisations just aren't very good at kind of joining, never mind these
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two things are the rest of the stuff.
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So you do end up in this place where these two things are separate.
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And I think the reason why I find that, and I'm really finding an example of where it's
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working well, I should have brought some extra trash.
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Some of the examples, I think back to something where we did, we're fortune money actually,
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the way we thought about brand and product and actually having those two things quite
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closely aligned, I think, whether it's incredibly successful, they did over the last five, six,
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seven years.
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But the issue sometimes for these two separate worlds is like, you know, brand is very, very
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good understanding of what an organisation is, why it exists, what its purpose is.
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But that doesn't always then translate into the things that that business data goes and
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does, right?
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Might be how it talks about itself, how it communicates, how it markets, and yes, what
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it values, you know, like, but that doesn't necessarily always translate directly into
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the product and the experience that it delivers.
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I think the value that you get is when you manage to join these two things up and you've
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got a product team that often understands the customer that it's trying to create, or
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they're increasing with the floor, and the business in which it's in, why that business
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exists, and you can build products that genuinely deliver most of the business and the customer.
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And you find that actually, by having a deeper understanding of the brand and what an organisation
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you create deeper ideas and better ideas and things that people then take to market.
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But those two worlds don't tend to be in sync very often.
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I think quite often it's just okay making opportunity for them actually to kind of come
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together, right?
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Bringing brand teams involved into your product design and having a product teams, adding
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a deeper understanding on the business stand for us about why it exists.
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And that's also kind of brand and the business strategy side of it.
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You mentioned like Virgin Money, who you think has done, brought in kind of a brand and product
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really well together because the brand really feels like this skeleton that holds a lot
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of things together and kind of drives the organisation.
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It was really hard for people to, if they think about brand, excuse me, in like a non-traditional
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way, to hire for that.
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Because when people think about like brand managers and brand leaders, it must be really
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hard to like hire for, I guess, you know, a new way of doing brand, a new way of approaching
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it.
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Yeah, and I don't know whether I'm sort of projecting and just trying to create this
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new world that I think is actually quite interesting, right?
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Because you're right, most people like in a brand space will come for a communication,
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sort of a pure brand, not necessary to making a product design for an innovation, a customer
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bit.
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But I think that's, I don't know, I don't think, I generally think that's where there's
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value, right?
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And I think a lot of the, because we will find there's a lot of, you know, brand strategies
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that are a bit of a brand, you can see, what they're very, very good at is uncovering a
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really interesting thing, whether that's an insight or a truth about a market or a customer
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base or a product, whatever it is, right?
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They're very good at finding that and it creatively creates something more often than
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communicate, right?
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Well, they're not very good at this, they're turning that into something really like a
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product to an experience.
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What product teams are very, very good at is taking your customer need and turning that
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into a functional thing that, you know, a customer may or may not want, but what they're not
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necessarily very good at or very well tuned into is connecting that product back into
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something bigger, right?
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Whether that's something bigger is the organization, in a kind of non-commercial sense, or into
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something bigger, a culture and society that gives it bigger meaning around the brand.
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And they find somebody or teams like any of you who can cut across those bits and kind
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of bring something like a brand thinking into product design, and like a product design
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thinking to get a brand.
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And I think, yeah, they're pretty products that sort of both land in market very effectively,
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but to the last as well, actually could be steep.
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What I hear and what I take from that is really this about kind of a transcending like conventional
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boundaries.
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And I think your focus and interest is kind of a connecting kind of ideas, culture and
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people in this kind of a, what is actually a really probably a dynamic working existence
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for people in big brands?
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I had this idea, sort of the analogy of like sometimes you're treated like chapters in
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a book, right?
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Like there's a star in the middle of the day, you do the kind of brand bit, the strategy
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bit, product bit, experience bit, no acting bit, right?
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But in reality, they're all just characters in the same story.
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And actually they all kind of need to connect together and weave together.
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And the interesting stuff happens at the intersect, I think, of all of these things, right?
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And product design, product and design brand.
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So I think if you can find the space between, that's what I think interesting stuff takes
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to happen.
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But more, yeah, it does take both cultural shifts, right?
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In terms of how an organization thinks about itself.
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There's a practical function of things in terms of how an organization structures itself
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to allow that things to happen.
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Right?
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We need to like, ownership and C-suite, then to have teams of structure and the ways in
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which an organization lacks itself, kind of like, yeah, live in that kind of slight
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chaotic dynamic space, allow these teams of people to interact more readily.
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And it does currently, most businesses, for good reasons, have structure and that structure
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is valuable.
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But I think sometimes we can give it a little structure a little bit.
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I wanted to ask you if there were industry practices you saw that like, needed to change?
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I don't know the specific practices, like, well, I do that.
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I think it's a general principle, like embracing a bit more chaos, I think, because you've lost
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that belief in.
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And there's a new answer around size of scale and the bigger you get, the slight, you do
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need to have some sense of structure to launch for the thing to keep moving forward.
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Right?
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And I mean, the simplest thing it comes down to is like, it's an old Barack Obama quote,
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I think, which was kind of like, yeah, we're still done when we start caring against the
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credit.
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And I think there's a little bit in that, right?
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Whether your organization or agency working with a client or whatever, if we can just
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worry a bit more about what it is we're trying to do and a little bit like, who's doing it?
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Right?
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And like, you know, then I think we actually, we do get more stuff done.
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Right?
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And so, we might be a philosophical cultural change that we need to kind of make some of
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that might just be then down to being a little bit, a little bit less restrictive on the
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command roles, responsibilities of people's and teams and kind of playing to can skills
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and experience and kind of combined skills and experience, such like how we, how we great
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team, let me, at a base level, like cross functional team, we told them a long time,
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those are great.
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Those are really good ways to, but quite often you find they're very orchestrated and somebody
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still needs to be sat at the top of the pyramid.
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And like then, you were sat at the top of the pyramid, tensed to have some set of an
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agency in life, it's one part of the organization, you sort of lose, you lose so the value of
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that chaos.
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And I think it comes out to trust and culture at its base level, so tools and then, yeah,
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just thinking more about what is it we're trying to collectively do, the job title
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that I've currently got on or the part of the organization that I sit in.
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And that does get harder, the harder you get up because, you know, at some point there's
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a performance metric, so as a symmetric criteria, somebody's going to be evaluated on.
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And I think changing some of that might actually be quite helpful, like being able to free
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your instance of how we evaluate success, particularly senior levels, might allow things
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to kind of cascade down and give teams and into a just more autonomy and freedom, to
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kind of step aside the box, right, and step across and look across the organization and
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go make friends with the person that designed team, if you're, you know, even think that
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product design team sometimes sit incredibly separate from each other, they're fundamentally
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part, they're same part of the business, looking at same as a marketing set and probably all
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of these things just need to be better and more comfortable sitting together and more
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biased and move whether that's through structure, process, performance metrics, better in my
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mind, if you've got a common, you know, the thing you do need to do is a common framework,
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right, and by that I sort of mean broad strategy, brand, I think there's been actually the
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kind of guardrails, it means we're all heading, you know, the bump, the bump, the analogy
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of the ball, we're all heading in the right direction, we can bounce off it, you know,
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we're all going to be completely heading off in different directions. We have that, kind
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of what happens in the middle, I think we can leave to a little bit of luck and certain
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liberties sometimes.
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Let me ask you this, you're someone that's navigated a lot of corporate environments
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and the corporate landscape you've worked within that, but also you've kind of stayed
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rooted in creativity in different ways, both in your working life, but also I know you're
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an incredible photographer and you're really passionate about photography and making and
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the craft of photography and I guess the craft of creativity in a way. And I think some,
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and I think I just want to like take a minute and talk about those two worlds because then
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I think you very comfortably inhabit both of them.
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Yeah, I mean, it's been, I mean, a late, late realization, but for the first year, I think
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it was the first part of my career, I probably was very corporate, I sort of lived on that,
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I sort of grew up, grew up in the kind of big consultancy, right, I had a sense here
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and started spending a big chunk of time there and was on that corporate career ladder. And
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it's probably recently, I mean, we moved to a small agency, I got back in big consultancy
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through acquisition and then kind of working to work at a tech, scalar agency place again.
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And I probably even have a back of that, that I kind of look at the common thread that has
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always been back in it, I'm creative in what I, in what I'm doing is a deep tech strategy,
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right? I'm not a tech person at all. Like, weirdly, the idea of this today, why is all
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mechanical so get right because I kind of like all the fancy new stuff scares me, right?
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So give me something I can why, right? I like or why, right? Well, why it was also to, so
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let me do the synthesis of technology. And the thing that's been true through all of that
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is like the thing that I can held on to is like, like, creative new ideas, right? So you can do
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like, you know, deep tech, the thing I was trying to find was like, what's the most interesting
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idea that's going to make this new platform relevant to somebody. But it's only, whether it's
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only ever been the fortune of old age, right? I'm going to kind of look back and kind of
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see that that's the thing that I've inadvertently held on to is the bit that I can, I'm like,
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well, actually, that's the bit that I can't, I'm really interested in how do you bring, you know,
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creativity as a kind of, as a way to transform large corporate organizations, I think there's
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like, is so much of that already in place within these places, I guess, just how do you put it
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on the market and find it, I guess, right? So the bit of like self learning in that in the sense
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that I've kind of figured out the bit that I care most about. And like, I've been sort of
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lucky in a lot of ways, I've been afforded the opportunity to kind of be that person, I suppose,
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in the projects and the organizations that I've been in, you get inside, you know, big consultancy,
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and small agency. So I don't know, I think it's just, you know, there's a little bit of self
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reflection at the class, but while that, you know, I've become really happy, right, it comes to
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the point, the sort of thing that I can bring and for the past, those, the, the, the, the, the,
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yeah, and they've afforded me that opportunity to, to play that role as a coach, right?
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And, you know, and it's only adding back to some of the projects that we've been involved in. One
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of the things I can get most joy at, it's when you find those, because I think there's a general
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idea about creativity, right? Or creative, I want a lot of creative, right? I mean, I, like, all
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right, I think everybody's creative. I think that's the general starting point. I think some
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people just learn to hold on to it for longer, right? The systems and the environments that
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were in almost designed to be creativity. I've said a lot of things, right? Whereas like,
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some of us either just learn to kind of hold on to it all over, or a little bit more belligerent,
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so let them let it go. I don't know which one it is, right? Like, I can't sing, I can't play any
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musical instruments, I can't draw. So it might form a creativity that works in a long way, right?
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Our vision through photography, you know, in the truest sense, like, I'm not a creative person,
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but I think, you know, the act of having ideas is creative, and I think the strategies that show
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having ideas that, you know, win. So that's, that's, you know, why I can blend those two worlds
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together, right?
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You said something really interesting to me around the, the, I guess your practice. So you like
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final and, I guess, analog cameras, their antithesis of, of, you know, new tech, you know,
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but I guess photography development. What do you, what do you do to photography? What do you
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like about photography?
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I mean, the classic and other thing is that it is my way of exploring, exploring my curious,
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like making sense of stuff, right? Because it forces you, or forces me to get out,
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out, out from behind this little desk and wander outside and go, right? And I think
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photography is about finding stuff, right? That might be beautiful landscape. I started off
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in landscape, but I actually did much more, kind of like street or good documentary type
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stuff, like capturing life, I think, even just around the house, like taking pictures of the
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boys and stuff, and I kind of just like capturing moments, I think, right? So it forces you to
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go out and look, that's the first thing. And like, I enjoy that because it's like, I'm not
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somebody who really sits, read lots of books, right? And like, if I would go into the world,
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I'm just called wander, and I'll take pictures of something. And like, it's not really the act
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of taking pictures that I enjoy as much, though, and that's a massive, it's a massive part of it,
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but it's about just getting out there and see it and finding it looking. And it makes you look
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closer at stuff. So you start to look at things, you're taking pictures of a building, look at
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how that building's constructed, how the window frames are made, like tiny little bits of detail
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that you would, like some might be an interesting picture, but that you'd never see if you didn't
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do that, right? You just be wandering. And I just think there's an element of that that I just,
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like I kind of need in my life, I need to kind of escape from screen and just get out into the
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world a little bit, and just look at stuff. When you look at stuff, you see things you
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don't necessarily see. And that's where you can let, you make good work in that, I think,
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when you sort of train yourself to look at things in a different way. And I think we can apply that
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by stretching creativity as well. Like, yeah, for those reasons, I'm getting out, seeing the world,
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maybe coming back to something that might look good in the wall eventually.
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Thinking about like strategy for a bit. So you've talked about what strategy means to you being,
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like it's about the business of ideas. It's about what's next. It's about kind of connecting the
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dots. What's the impact you've seen when a business doesn't have a clear strategy?
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So it's so much time and strategy. We've so much time and money on it. But really, it can be one of
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the most simplest things. It's like, we over complicated, I think, in a lot of ways. But you
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do need something. You need some sort of framework. You can decide how lucrative you want that to be.
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And I think that you're allowed to be the clear of the idea. It needs to be in itself,
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right? So you need some sort of core through which you're looking at everything. And then,
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yeah, it's not to happen in the middle of that. And so we continue. You can let happen. And I think
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that that's the chaos, right? When you haven't got some sense of direction or framework or purpose
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or reason and intensity for what you're trying to do, that's the thing that go chaotically.
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They're all there. Because there's no sense of community. There's no thread. Like, you think
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about that. I don't remind, you know, you could have a strategy that thread runs through everything.
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And things could be flailing off for any of the sides. But we haven't got that thread that pulls
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everything together, which is something you just pull the string and everything times up.
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You haven't got that. Everything goes everywhere. And that's when, you know,
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that's when the lack of strategy is obvious, right? So just leaning onto that for a minute,
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like, I'm just quite interested in this kind of a bridging the gap from strategy, from thinking
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to doing, and that kind of a seesaw, the back and forth as you kind of progress a concept from
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strategy into like realizing its ambition and the chaos that goes along with it.
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You can just that language of like, because I think there's a slight fallacy that something
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will fall into, which is like, there's a period of thinking, and then there's a period of doing,
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right? You don't necessarily think that's true. I think. But one of the big things people want
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this idea of what we have the strategy, or whatever vision strategy plan, right, these
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different words, that's it. Let's go. We must be right. I think the truth is the first thing
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advice like, well, never advice have a piece, right? That's the other thing I'll say. It's not
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necessarily a piece of advice. The strategy won't be wrong. Right. And that's okay. But I think too
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often people think about the right strategy can be one. What you need to do is like have a way in
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which you start to execute on the belief for the bet, the idea that you have, and then being able to
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change it, iterate on it, explore different avenues, be consciously in tune with what's
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happening in the business of the market that allows you to adapt to us too often. Like,
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is this sort of another terrible analogy of like a survey yacht race where all the yachts
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select swimming around at the beginning and somebody goes, whistle and it goes, right?
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The reality like that's the strategic fate of chaos and thinking and all of a sudden we're
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off and running in the programs and play and everything's going to be fine now. But in reality,
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that's just not how the world works. You look at the chaos that's going on in the world, like,
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you know, we can't, we can't define a plan for the next six months, the next four years,
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it's going to be action. But we have to find a way to play some bets, right? And those bets are
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sort of an informed opinions or ideas about how we're going to win, right? And what our market
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or industry rivers are trying to do. And they need a way of being able to click constantly,
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to check back on whether those things, those things that we're doing are working or not,
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and then adjust, right? And then the look, the old saying says, the vision stays the same,
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strategy changes, particularly, right, which I think is still true. Like, the core belief that
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thread is more like a brand, well, that's being a core purpose. That's where we're going. That's
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that's what we're trying to be. That's who we aspire to be, we aspire to achieve. How we get there,
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the strategy, the plan, the tactics change. And I think that we can iterate back on that and
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redirect and pivot to you so that we're well-coined for issues is the important. And that's why the
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sector is a brand important to so important because we can define this vision, this future,
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send, you know, product design teams off for three years to go and create it and realize it by the
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time we build to the world shifted six months after. Right. And I think that that in things to
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world that cycle is a brand important. Hearing what you've just said, it sounds like that idea of,
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like, I guess, being in the moment and seeing things. What I'm hearing when you're talking
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about strategies is actually it's not about this big overarching goal North Star that's really hard
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to get to slash you're actually never going to get there. It's about having a direction and then
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this more iterative process of redefining your strategy constantly. So seeing what's actually
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going on and being in the moment and making kind of a decisions. And it makes me think,
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what's the role of the strategist then? Now, well, we'll come on, maybe come on,
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talk in a minute. But I think those two things you talked about are still important. I think you need
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you need that kind of end goal, flying in the ground, right? But for me, that is, that's where
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brand that's been a brand place of all right. That's in terms of what this organization is about,
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what we started for also purpose, achieve both with a brand and a business perspective as well.
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The strategy or more likely strategies that we have are the things that we will
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go after in order to get there. Right. So I think that's what all two things are connected,
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but this could end to the same type of that. The big thing, the North Star, I mean, that's
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what I'm getting, not like a quick coin phrase stays, particularly true, right? The strategy
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is the bit that changes. I think so much about these are the, what's the role of the strategist?
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You get a why don't we use that term to describe myself on the way to sort of use a way, fight
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somewhere particularly, because I think a lot of strategy today is really about planning, right?
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It's about the, it's the mapping of that for me to be, which is, you know,
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but I think that's quite a simplistic view of how the wall actually is, which is about
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constantly looking at where we're going, looking at the way which we get there across the whole
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organization, not just, you know, to one length, but a bit more design and constantly adjusting
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the organization, not just the strategy for how we get there. And I think that's why
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I've always got to be weird or interesting, let's say, where strategy is a department that
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sits off over here, rather than a still set, I think that we used to cut across.
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Right, because we need, we need everybody aligned across that kind of common idea.
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We need some people who are kind of looking across the business and across a kind of market base,
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whatever it is, to constantly be checking back and forth as to whether the direction of this
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organization is going is the right one relative to our objectives and competitors, and then adjusting
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everything that that business is doing to get there. But that doesn't mean you need to put
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a whole new strategic planning exercise for the exact team to kind of revalue everything.
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You need to build those sort of strategic disciplines down into your organization as much as possible
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as well, so that everybody is then starting to think, you know, has a clear view of who we're going,
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understands their role and how they can achieve it, and is checking back and against that strategy,
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the market, they're understanding they're part of the organization, how they change,
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and how you need to adapt and evolve their execution of it. And that just like,
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organization or strategy down in terms of business, I think it's important to say,
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but as a general principle, like, the organization, kind of autonomy, I think,
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but I can also write to think business is going to work in that, in that sort of way,
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I think it becomes currently part of it. And I think a really exciting place to be for strategists
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who are able to work in organizations like that, that enable them, because it's such a powerful role.
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I look, yeah, I make a little bit, I mean, again, maybe this is maybe something that we might cut
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out depending on how many people we affect. But like, I'm a good strategist, strategist,
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a little bit like politicians, the career politicians, where if all you've ever done
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has been a politician, right, it's kind of hard then to run the trains, wherever, right.
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If you've driven the training for a while, you sort of understand how to run the network
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of the routes potentially. So there's a similar analogy in terms of, I think so,
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they can invest strategists, so people who've kind of been in that, I'm not, I'm not really
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putting myself in any of this gap, right, but like, the people who could have understood
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to do that, are the people who've kind of been in the different parts of the organization,
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and understand how it works, because they need to cut across it in a way that is going to be
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meaningful and more relevant to the teams and the people and the part of the business that you are
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ultimately affecting. I think when strategy is stuck in a box, up here, off to the right-hand side,
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I think that's when it, it, it, it, it starts to go wrong, because it's sort of,
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it's done in an action and avoiding any, you know, in the same way that we build products,
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we go customer, we've been customers and, and start the market, I think we're designing,
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you know, past organizations and strategies, we need to build an insight that this is not
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set for the problem. Okay, Robin, it's time for the quick fire round. We're going to switch things up.
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If animals could talk, which species do you think would be the rudest?
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The rudest animal, wombat. Yeah.
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God, why did I find that so funny? And what makes someone a good traveling companion?
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Snacks. In another life, what would your career be?
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I would love to still be an artist, in a proper sense of the word.
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What was the first work thing you were really proud of?
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Depends upon, I mean, I did put together a pretty killer business case when I was about seven,
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like, why we should build an artery in the back garden and I should therefore be allowed to keep
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falcons as a pet. I was, I was, it was pretty detailed. I was quite impressed, I'm quite impressed with that.
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In terms of proper work, I still go back, I still go back to the work we did, you know,
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Clive Still Banking, Virgin Wany and the space that we built in Manchester, in terms of how you
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could have revolutionized high street banking in the UK and kind of build a retail space that
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sort of was up, sort of, you know, acting in the world, was a bank. I love that project for so
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many different reasons, never mind the kind of people that we were working with for it on it.
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And just seeing, it's something different about being able to walk down like a street and like,
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never mind seeing a kind of doorboard with an add-on, seeing a physical three-story building
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and then being able to kind of tie up, you know, with the original pencil sketches up on my wall,
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which just off camera, I'll be able to kind of look at them and see a space and then see people
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in that space kind of like living out the thing that was sort of conceptual space months, years ago,
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in a little room in Nice. I think I'll always look back at that and just be quite happy. Amazing.
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Could you please describe your taste in interior design? Nordic,
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chaotic. In case you're into design, haphazard, probably, and I like Woodman Chic.
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I've never had that phrase Woodman Chic, but I like it, I'm going to use it. Do you have a go-to
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meal that you kind of are cooking the kitchen for the family or yourself or anyone?
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Everything pasta related. I love making pasta. Again, it's the old mechanical
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handling of making pasta from scratch, right? It's quite a tactile experience. I love making pasta.
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What's the best piece of advice you've ever been given?
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I think actually it's been a bit of advice that I heard three years ago. Before, after,
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I was in a transition period to my last job in the store, and I was sort of going through a
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not quite sure what it was I actually wanted to do, whether I was doing that.
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It's an excellent question, but you can go, am I actually enjoying the thing that I'm doing?
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I'm in the right place, right? Somebody said to me, ask yourself three questions.
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Are you having fun? That's a great first question to ask yourself in any sort of job.
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Are you enjoying your ex? You're really here for a short time. Are you enjoying the stuff
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that we're doing that's sort of lost the point? Are you having fun?
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Am I learning something new or interesting? It's a great reason for why we should be somewhere.
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If we're not learning something, if we're not growing and developing, then
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ask yourself a question. Or am I making things better? And I know every time I'll ask myself,
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I'll always ask myself those three questions. The only thing I'm going to go do,
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whether it's job or life to be fair, actually, and if I can answer yes,
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the two of them that I think are resetting and reframing it, because clearly,
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something's not right. So those three questions, I think are actually,
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I helped me in a nice way at just evaluating whether the thing that I'm involved in is the right thing.
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Last question that we need to ask everybody. On a scale of one to 10,
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Robin Vedd, how weird are you? I mean, I think we're all weird. And I think weird is this
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relative scale, right, in the sense of like, we're all weird to a video. And I think that's okay.
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I think we should embrace our weirdness a little bit more, right?
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At the point that the systems in the world are designed to make us less weird. And I think we
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need to fight back. So that's a 10. Thank you, Robin Vedd. That was awesome. Thank you so much
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for joining us today. As we close out another episode, make sure to like, subscribe, and follow
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