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Intersections artist John F. Simon Jr. discusses his installation at the Phillips, Points, Lines, and Colors in Succession, on view October 17, 2013 through February 9, 2014.
Inspired by the progression of movement in the natural world, Simon's four-part installation in the Phillips house stairwell incorporates drawing, software, and computer-generated fabrication. The works, evoking meandering lines, steep curves, and improvisation, engage with Wassily Kandinsky's Succession (1935) in the Phillips's permanent collection.
Inspired by the progression of movement in the natural world, Simon's four-part installation in the Phillips house stairwell incorporates drawing, software, and computer-generated fabrication. The works, evoking meandering lines, steep curves, and improvisation, engage with Wassily Kandinsky's Succession (1935) in the Phillips's permanent collection.
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Amerika Birleşik Devletleri
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SON BÖLÜMLERİ ARA
Intersections Contemporary Art Projects için geçmiş bölümleri ara.
BU PODCAST'IN DİĞER BÖLÜMLERİ
Using images of El Greco’s The Repentant St. Peter(c. 1600–1605 or later) from the collection, Baltimore-based artist Hildebrandt explores baroque themes of high drama, spectacle, and spatial movement. By converting a series of images into a video sequence, the artist connects painting, photography…
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Intersections artist Xavier Veilhan discusses his exhibition (IN)balance, on view at the Phillips November 3, 2012 through February 10, 2013.
The first major museum presentation of Veilhan's work in the U.S. and the most extensive Intersections project to date features 18 recent pieces in several …
Composed of intricate ink and acrylic drawings on canvas that cover the café walls, One Day, After the Rain follows the movement of sunrise to nightfall, paying homage to Arthur Dove’s landscapes in The Phillips Collection.
Sandra Cinto creates dreamlike environments with her art. “I am interested …
Feragatname: Bu sayfaya yerleştirilmiş podcast ve sanat eserleri, sahibinin mülkiyetinde olan ve Listen Notes, Inc.'e bağlı olmayan veya tarafından onaylanmayan The Phillips Collection'e aittir.
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