BU BÖLÜM HAKKINDA
Nick went to NYC some years back an interviewed Adrian Rew about his field recordings of casinos in the American Midwest. Are they all tuned to "C"? What makes them so hypnotic? Do the sounds make me lose all my money?
I also complain about expensive ramen at the end. I no longer believe that $26 is too much for a bowl of ramen because the entire service industry is fucked
ingilizce
Amerika Birleşik Devletleri
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SON BÖLÜMLERİ ARA
Far Off Sounds Podcast için geçmiş bölümleri ara.
BU PODCAST'IN DİĞER BÖLÜMLERİ
Old School FOS homie Rebecca Mahay joins Nick and Bryan on the show today to chat about underground music in her hometown of Leeds and in the UK, comical approaches to experimental music, her unexpected path to finding sonic absurdism, and how living with chronic illness has impacted the way she ap…
TEASER: We talk about shooting the episode 'Onyx Ashanti Programs Himself' back in the summer of 2016, on the cusp of a global paradigm shift, when optimism and cynicism felt a bit more in balance.
The Far Off Sounds crew has some bittersweet news for you all out there in podcastland. After some deliberation and heavy group-texting, we've decided to put a pause on the FOS Podcast and Patreon for now. So this is our "Ta Ta for Now" episode.We're all just too swamped with work and other creativ…
John Yingling travels the world, making films about underground music scenes. So obviously we had some common ground to go over with him. His biggest, boldest project to date was a multi-year tour of China with several underground punk and experimental groups. We talk music in Communist China, buil…
Palmer Keen from Aural Archipelago joins Nick and Jacob to talk about how his DIY Ethnomusicological exploration of Indonesia came to fruition. We find out what it's like to blindly trust strangers on the internet and travel thousands of miles away to have a chance at capturing a music tradition he…
Feragatname: Bu sayfaya yerleştirilmiş podcast ve sanat eserleri, sahibinin mülkiyetinde olan ve Listen Notes, Inc.'e bağlı olmayan veya tarafından onaylanmayan Nick George and Jacob Hurwitz-Goodman'e aittir.
DÜZENLE
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