Bu bölümün sesi bozuk olabilir.
How to fix it?
BU BÖLÜM HAKKINDA
Vera Molnar and the machine imaginaire; Sarah Cook and CRUMB; Amy Goodchild on writing as field infrastructure.
ingilizce
Amerika Birleşik Devletleri
SON BÖLÜMLERİ ARA
Conditions of Appearance için geçmiş bölümleri ara.
BU PODCAST'IN DİĞER BÖLÜMLERİ
Three curators, three answers to the same question: where does surveillance art discourse actually live? Stephanie Hankey, Elena Filipovic, and Marc Garrett and their different theories of space, authority, and audience.
Hyperallergic asks whether artworks can have legal personhood, raising questions about authorship and institutional translation. Plus: John Jacob and the Sites Unseen curatorial frame at SAAM, Centre Phi Montreal and the Luxembourg Film Fund immersive circuit, and ZKM Open Hertzlab MARS! Governance…
Adam Harvey, Paolo Cirio, and Heather Dewey-Hagborg: three counter-surveillance artists whose works make claims that depend on the tool actually functioning.
Françoise Poos, Artistic and Scientific Director at Elektron Luxembourg, frames the distinction between art that operates inside systems and art that illustrates them from outside. Lauren Berlant, Track Tracy, and the question of what a nomadic institution becomes when it acquires a fixed space. ZK…
Two approaches to machine infrastructure legibility: James Bridle names and theorizes (New Aesthetic, New Dark Age, Ways of Being); Julian Oliver builds interventions that detonate (Critical Engineering Manifesto, Newstweek, Transparency Grenade). Closing on ZKM Life After the Academy and MARS! Gov…
Feragatname: Bu sayfaya yerleştirilmiş podcast ve sanat eserleri, sahibinin mülkiyetinde olan ve Listen Notes, Inc.'e bağlı olmayan veya tarafından onaylanmayan Pascal Piron'e aittir.
DÜZENLE
Podcast veritabanını güncel tutmaya yardımcı olduğunuz için teşekkür ederiz.
