BU BÖLÜM HAKKINDA
Greetings, Cinematic Fanatics! Allow us the foreign, yet familiar, terrifyingly non-terrestrial pleasure of steering you along the warped and unnatural crystalized foliage-laden beach enfolding the lighthouse of dark holes with darker tunnels harboring a still darker fantastical factory that cranks out carbonless copies devoid of emotion, sensical responses and a sense of human humor, but these cancerous, carbonless copies are devoid of humor for they are a blight, a tumor, and as Nat Por, the whore, believed the doc's self-destructive rumor, of this aberrant, blood-drop sucking, living, replicating, mangling annihilation--she remains a consumer. This concentric and claustrophobia inducing shimmer is as gorgeous as it proves grotesque, though from a distance it passes for peaceful and picturesque, the way slut bag Lena grinds her counterpart's man meat, she would earn more cabbage if she did burlesque and though their tryst lived but a short life, she, for all time and her new clone too, shall make a shabby wife, but Brother Brooks and I are your dependable gift givers gifting you this speckled, refracting, misunderstood treat of Slick Flick Pick, an entertaining, slick/flick-explaining series, a desirable diversion from the main humanoid vein of Chemohawk Sessions. You're our Cinematic Fanatics; we, your worthwhile cinephiles. For your 33rd episode, we review one of our most cherished, respected and feared entries in the Alex Garland portfolio of cinematic work: a disorienting, aurally industrial and synth-rich score dominating, hybrid creature creating, gruesome death sating, frighteningly efficient at mating, nerve grating, Kane castrating, humanity checkmating, Lena's pear smooth, blemish-less skin replicating, gator mutating visually shocking, audibly rocking, climatic gut-punch socking shimmer surveying mission by the sea that puts the fstars odd in odyssey. This mind mangle of a slick flick was financially appalling, but from a critical vantage… considered enthralling; regardless of either/or I still found Nat Por a melancholy whore, pulse pounding and supremely effective this flick's score-- found my worthwhile cinephile self in the unenviable position and posture of wanting the film to run an additional hour longer, expanded philosophical dialogue between Lena and Ventress--craving still more. This is a captivating, curiosity stirring and mostly sating flick that crosses the scintillating shimmer into a trio of genres: sci-fi, mystery, psychological horror-- it transitions so seamlessly between genres and oft simultaneously, in such a way, that you process it as a simple study in filmmaking sleekness. We offer you, regarding this elevated horror, confident mystery, well-articulated sci-fi production Annihilation, circa February 2018.
Enter, with us, you cinematic fanatics, into the realm of film's fantasy while we unwind the grind of reality… We offer you: Pick 33: Slick Flick Pick: Carbonless Copy--Further Down the Lighthouse Hole; (E.T.S.D.); (Annihilation, 2018) Today, we discuss-- why it is best not to volunteer for a mission wearing a necklace that betrays your deception and unveils your lies when your colleague brandishes an assault rifle and sports crazy eyes, how tying your sightly squad to chairs seems one step too far for cutting open your fellow soldier's tummies will no doubt leave a scar, but Gina towards Lena proves rather mean-a, as she shouts at, spats on, stands seconds away from stabbing lean Lena into her spleen-a; I thought they were on the same godd*** team-a.
Noah: 950 years old
These are lists of the 100 known verified oldest people sorted in descending order by age in years and days. Jeanne Calment 122 years
Kane Tanaka 119 years
Sarah Knauss 119 years
Jiroemon Kimura 116 years
- Your worthwhile cinephile: fstars that mutant alligator/crocodile Falsetto Prophet and Brother Brooks.
P.S. (Procrastinated Statement) *Intro/outro song, Soulicious, courtesy of the artist, Dyalla.
