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BONUS EPISODE
We are joined by a profound visual narrator and "Conceptual Scenographer of the canvas" who has spent over two decades documenting the Caribbean’s social and historical pulse: Michael Elliott. A graduate of the Edna Manley College of the Visual and Performing Arts, Michael has evolved into a globally recognized figure whose photorealistic paintings serve as both windows into the past and mirrors for the present.
His work is a masterclass in the use of metaphor—utilizing relatable symbols like tea and watermelon to tackle heavyweight themes of migration, politics, and the enduring legacy of slavery. From his iconic 'Windrush Series', which has moved from gallery walls to public murals in Kingston and the UK, to his 'Vanilla Country' collection addressing racial injustice in the US, Michael proves that art is an essential tool for social commentary.
His reach is truly international, with appearances in the National Gallery of Jamaica and a long-standing partnership with the Diaspora Vibe Cultural Arts Incubator in Miami. His works are held in the permanent collections of the Bank of Jamaica, the Smithsonian, and most notably, the National Museum of African American History and Culture. Currently featured in the inaugural exhibition at the V&A East in London which is a branch of the Victoria and Albert Museum, titled ‘The Music is Black: A British Story’, Michael joins us on OFF THE CUFF to discuss his trajectory as a UWI MA Cultural Studies scholar and artist, and how he uses creative symbolism to navigate the complexities of identity in the African Diaspora.
Interviewed by Cohost: Radika Myers
Executive Produced by: Rachel Ann Fenderson
