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Chandlor Henderson is the very definition of a multi-hypenate: a writer, editor, comic book writer, filmmaker, and podcaster.
This conversation was recorded live at Gratitude Brewing as part of a quarterly series between the Oregon Writers Colony and The Creative Nonfiction Podcast. In this conversation we talk about his journey to Oregon from the East Coast, to focus on skills, and how graphic novels are a great vector for storytelling.
Promotional Sponsor: The Power of Narrative Conference. Use CNF15 at checkout for a 15% discount.
Newsletter: Rage Against the Algorithm
Show notes: brendanomeara.com
Support: Patreon.com/cnfpod
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ค้นหาตอนที่ผ่านมาของ The Creative Nonfiction Podcast with Brendan O'Meara
ตอนอื่นๆ ใน PODCAST นี้
"I applaud anyone out there who's done the book circuit and trying to reach readers, because I'm not in this to make a lot of money, not at all. I just want people to read the story. I kind of felt like I owed it to the book to do my end of this effort. That's kind of fueled me to keep going too," …
"We probably have some sense of what narrative is. So when your brain starts turning into the little movie camera because this is a juicy scene, then it's like, well, what would I want to show? What what would I want to know here?" says Jennifer Keishin Armstrong, author of Parks and Rec: The Under…
"You have to remember to slow things down. In this world where there's this fast-paced news cycle, and everybody wants to get it out first, this is a different genre, so to speak. You have to slow down. You have to build that trust. You can't expect to get these details on the first interview. More…
"My career is not a straight path; it's a lot of happenstance where I just sort of somehow get a job and then figure out how to do it once I'm there," says Rachel Hartigan, author of Lost: Amelia Earhart's Three Mysterious Deaths and One Extraordinary Life.
Today we have Rachel Hartigan, who, yes, …
"Our our first job, job one, for anybody writing a book, for anybody writing a story of any kind, any length, is to get the reader to that last word. If you don't do that, it doesn't matter what pretty words you drop in the middle of the story. Doesn't matter how brilliantly conceived it is. The st…
ข้อสงวนสิทธิ์: พอดแคสต์และอาร์ตเวิร์คที่ฝังอยู่ในหน้านี้มาจาก Brendan O'Meara ซึ่งเป็นทรัพย์สินของเจ้าของและไม่มีส่วนเกี่ยวข้องหรือรับรองโดย Listen Notes, Inc.
